A tiny slip of magic that suggests equal quantities of conviction and possibility.
Uni the unicorn is like all other unicorns in every way but one.
Uni has a flowing magenta mane, sparkly, golden hooves, and of course, a long, swirly horn that has the power to heal. But there’s one thing that’s different. Uni pores over fairy tales, staring longingly at the princesses found within the pages. No matter what Uni’s friends and family say, Uni believes, truly believes, that little girls must be real. Rosenthal, no stranger to turning convention on its head (for instance, her tiny green protagonist who hates to eat candy for dinner in Little Pea, illustrated by Jen Corace, 2005), delves into the role-reversal plot twist, but what results is simply a strong case for friendship. Uni imagines running, twirling and sitting quietly with a real little girl, and “somewhere far away (but not that far away),” there is a little girl who is wishing and dreaming the very same thing. Barrager’s Disney-animation background shines through in wide, innocent eyes and a lush, candy-colored palette. There are certainly little-girl readers who believe in unicorns just as much as Uni believes in them, and this will feed their dreaming spirits. But the deep desire for friendship has universal appeal.
A tiny slip of magic that suggests equal quantities of conviction and possibility. (Picture book. 3-6)Pub Date: Aug. 26, 2014
ISBN: 978-0-385-37555-9
Page Count: 48
Publisher: Random House
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school...
The familiar theme of the challenges facing a new kid in town is given an original treatment by photographer Border in this book of photos of three-dimensional objects in a simple modeled landscape.
Peanut Butter is represented by a slice of white bread spread with the popular condiment. The other characters in the story—a hamburger with a pair of hot dogs in tow, a bowl of alphabet soup, a meatball jumping a rope of spaghetti, a carton of French fries and a pink cupcake—are represented by skillfully crafted models of these foods, anthropomorphized using simple wire construction. Rejected by each character in turn in his search for playmates, Peanut Butter discovers in the end that Jelly is his true match (not Cupcake, as the title suggests), perhaps because she is the only one who looks like him, being a slice of white bread spread with jelly. The friendly foods end up happily playing soccer together. Some parents may have trouble with the unabashedly happy depiction of carbs and American junk food (no carrots or celery sticks in this landscape), and others may find themselves troubled by the implication that friendship across difference is impossible.
Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school experiences. (Picture book. 3-6)Pub Date: July 29, 2014
ISBN: 978-0-399-16773-7
Page Count: 32
Publisher: Philomel
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
A wandering effort, happy but pointless.
The perfect book for kids who love dragons and mild tacos.
Rubin’s story starts with an incantatory edge: “Hey, kid! Did you know that dragons love tacos? They love beef tacos and chicken tacos. They love really big gigantic tacos and tiny little baby tacos as well.” The playing field is set: dragons, tacos. As a pairing, they are fairly silly, and when the kicker comes in—that dragons hate spicy salsa, which ignites their inner fireworks—the silliness is sillier still. Second nature, after all, is for dragons to blow flames out their noses. So when the kid throws a taco party for the dragons, it seems a weak device that the clearly labeled “totally mild” salsa comes with spicy jalapenos in the fine print, prompting the dragons to burn down the house, resulting in a barn-raising at which more tacos are served. Harmless, but if there is a parable hidden in the dragon-taco tale, it is hidden in the unlit deep, and as a measure of lunacy, bridled or unbridled, it doesn’t make the leap into the outer reaches of imagination. Salmieri’s artwork is fitting, with a crabbed, ethereal line work reminiscent of Peter Sís, but the story does not offer it enough range.
A wandering effort, happy but pointless. (Picture book. 3-5)Pub Date: June 14, 2012
ISBN: 978-0-8037-3680-1
Page Count: 40
Publisher: Dial Books
Review Posted Online: March 27, 2012
Kirkus Reviews Issue: April 15, 2012
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