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IF DA VINCI PAINTED A DINOSAUR

Art history with a little smile.

Following up If Picasso Painted a Snowman (2017), introductions to 19 more painters and their best-known styles.

In line with the previous gallery, the Newbolds dispatch a shiny-eyed hamster docent to squire young viewers past a set of full-page or larger scenes that imitate famous, or at least representative, paintings—with prehistoric elements, mostly dinosaurs, in each. The virtual museum tour begins with a Vitruvian Microraptor à la Leonardo and ends with a finely rendered Dino Lisa (a gowned maiasaura, according to the key at the end, but looking more than a little like Jar Jar Binks). In between he dishes up Dégas-style ballet dancers, plesiosaurs surfing a version of Hokusai’s Great Wave off Kanagawa, a can of Andy Warhol’s Dino Noodle Soup, Mark Rothko color fields declared to represent layers of prehistoric rocks, and more. Other artists include Frida Kahlo, Diego Rivera, Qi Baishi, Loïs Mailou Jones, Harrison Begay, and Marguerite Zorach. The accompanying captions incline toward wordplay: “Cassius Coolidge crates a Cretaceous card game”; “BOOM! CRASH! CRUNK! Here comes a dinosaur by Edvard Munch!” Like the art, some dinos are actual ones, others fanciful. Leonardo is an outlier in this 18th- to 20th-century company (Begay alone lived into the 21st), but the lineup is at least as varied in school or style as the previous one and more diverse of sex, race, and national background than both its predecessor and many others of its ilk. Would-be Leonardos will find both an invitingly blank page to fill at the end and elementary prompts from the versatile illustrator.

Art history with a little smile. (thumbnail biographies) (Informational picture book. 5-9)

Pub Date: Oct. 2, 2018

ISBN: 978-0-88448-667-1

Page Count: 40

Publisher: Tilbury House

Review Posted Online: Aug. 26, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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MALALA'S MAGIC PENCIL

An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter.

The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.

Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.

An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter. (Picture book/memoir. 5-8)

Pub Date: Oct. 17, 2017

ISBN: 978-0-316-31957-7

Page Count: 48

Publisher: Little, Brown

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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