by Amy Wilentz ‧ RELEASE DATE: Aug. 15, 2006
Weaker than, though akin to, Didion.
Better known for her serious writing (Martyrs’ Crossing, 2001, etc.), Wilentz takes wicked, witty tear through the Left Coast.
When her husband’s job took the family to Los Angeles, the New Jersey–born, longtime Manhattan resident felt like an alien. How do you adjust, exactly, to finding Nicole Kidman in your yoga class? For all its glitter, California in 2003 seemed much like the Third World. The state was in massive debt, and a rumored recall election was about to shake up the government. Wilentz chronicles her attempts to set down roots in a state where every man is tan and “possibly spiritually inclined.” She reports, deadpan, on the controversies in L.A. over groundcover: Grow a grass lawn, like they have back East? Or go for cactus and rocks? She sends her sons to school with “comfort bags,” each containing a toothbrush, stuffed animal and picture of the family, to be on hand in case of earthquake. These well-chosen autobiographical vignettes frame the author’s central interest: Schwarzenegger. When she first heard that the bodybuilder/movie star was considering a run for governor, Wilentz thought it was the punchline to a joke, “but the joke about California is that the joke about California is not a joke.” The recall election itself seemed surreal. Schwarzenegger couldn’t actually become governor, could he? After all, there were nude pictures of him on the Internet. Wilentz lambastes the campaign as a charade. Schwarzenegger was all spin, no substance, she writes; he claimed to be for the little guy, when obviously he was devoted to the status quo. Her breezy, sardonic style fails her only when she rehearses Schwazenegger’s well-known history of sexism. She seems content to tell us what we already know (that he was spouting misogynistic gibberish to the press until a few months before he declared his gubernatorial candidacy; that in a 1977 interview, he claimed to have gang-banged a black woman) without providing fresh analysis.
Weaker than, though akin to, Didion.Pub Date: Aug. 15, 2006
ISBN: 0-7432-6439-8
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2006
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by Amy Wilentz
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by Amy Wilentz
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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