The last volume in Wilson's quintet, known collectively as the Lampitt Chronicles (Hearing Voices, 1996, etc.), not only answers the big mystery that dogged all the earlier books, but it fully lives up to his grand scheme—to be a ``petit-bourgeois, English, late twentieth-century recovery of Lost Time.'' Which is to say, it's Proustian without the pretensions: No heavily suppressed desire, no social-climbing on a grand scale. Wilson manages nevertheless to tell a truly representative tale of an Englishman in his time, which spans most of our century. Julian Ramsay has achieved some small fame for his long-running role in a popular radio drama. Through his many romantic pursuits, and two failed marriages, Julian has remained obsessed with the slippery Raphael Hunter, who beat him to the punch with a biography of the late James Lampitt, an Edwardian writer whose life touched all the greats, from Henry James to Oscar Wilde. Convinced that Hunter lied about Lampitt's alleged homosexuality and promiscuity, Julian clings to a hope that he can one day revive Lampitt's reputation. In his 60s, Julian surprises himself in a number of ways, from his passionate affair with the young and sexy Dodie Rich, the black star of a TV show, to his discovery of the truth about Hunter, his amiable nemesis. That happens when Kit Mayfield, a handsome young Lampitt descendant, manages with Julian's help to compel Hunter to reveal his dark secrets. Yes, of course, he killed old Lampitt, as Julian has long suspected, but it was only after the distinguished gent turned down the young Hunter's advance, and threatened to reveal his transgression in the darker days of the '50s. Julian's sidebar commentary on Anglicanism, the decline of literary culture, and the social nuances of language no doubt reflect Wilson's measured views, and they make for sparkling prose. The insights of a lifetime enrich this marvelous work, full of rewards for loyal readers and delights for new ones.
Pub Date: Oct. 1, 1996
ISBN: 0-393-04042-9
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
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