A readable, often entertaining summation of a life of hard work and second thoughts.
A sometimes rueful, sometimes celebratory memoir by the prolific British writer.
"Over fifty books published, and probably millions of words in the newspapers,” writes Wilson, an author who, his critics charged, “wrote with too much ease.” Pondering the past as a man in his early 70s, the author finds regret at certain roads not taken and certain relationships broken on the shoals. His father, he recalls, was a director of the Wedgwood china company and “a designer of distinctive brilliance” who was less successful as a family man. For himself, Wilson recalls the brutalities of school, where, he shrugs, “at least the sexual abuse was relatively minor.” (Others, he allows, had different views on the matter.) Wilson works a number of themes, including indecisiveness and inconstancy, even as he meets and beats every deadline thrown at him. His passing notes on books and writers will be of great interest to every student of modern British literature. His recollections of the travails of Christopher Tolkien, anguished son cast deep into the shadows of his Lord of the Rings author father, are worth the price of admission alone. So, too, is Wilson’s account of how a publisher friend turned down Watership Down and then tried to make up for the gaffe by having Wilson write a novel in which “I should try to do for stray cats what Richard Adams had done for the rabbits of Berkshire.” It didn’t work. Anglo-Catholic and sometimes arch, Wilson is also a delightfully close observer of the passing scene, as when, at a London bar, he sees “a lower-middle-class imitation of Jacqueline Onassis”—none other than Christine Keeler, the real-life model for the politically ruinous prostitute in his novel Scandal. Though it ends on a thud, Wilson’s yarn has much to recommend.
A readable, often entertaining summation of a life of hard work and second thoughts.Pub Date: Nov. 1, 2022
ISBN: 978-1-4729-9480-6
Page Count: 320
Publisher: Bloomsbury Continuum
Review Posted Online: Sept. 21, 2022
Kirkus Reviews Issue: Oct. 15, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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