The fourth book in Wilson's Lampitt Papers, an on-going chronicle of 20th-century England and one man's effort to understand a representative life—a life that has become shrouded in intrigue and innuendo. James Petworth Lampitt more or less defined the Edwardian Age as a man of letters, from a distinguished family, who himself was friends with most of the important cultural figures of the time. Julian Ramsay, a successful radio actor, grew up in the shadow of the Lampitts. Orphaned in the war, Julian lived with his uncle Roy, a provincial vicar absolutely obsessed with the Lampitts and their lore. In previous volumes, Julian survives the '40s and '50s as a young man of great promise, one of whose goals is a biography of James ``Jimbo'' Lampitt. Unfortunately, he's beaten to the punch by the genial and oily Raphael Hunter, who claims to have discovered all sorts of sordid secrets about Jimbo. Now, Julian comes closer to the truth about the supposedly telltale Lampitt Papers, at the time in possession of Virgil D. Everett, an American pharmaceuticals tycoon, convinced by Hunter that the papers reveal that Lampitt had sexual peccadilloes much like Everett's. But before Everett takes a long look at his collection, he mysteriously plummets from a Manhattan skyscraper, a death similar to Jimbo's untimely demise. To complicate Julian's researches, he falls in love with his girlfriend's sister, a Catholic beauty married to the hapless Fergus Nolan, a scientist engaged by the Vatican to advise on the birth-control controversy. Julian's unresolved feelings for his dead parents result in a nervous breakdown, but not before venting lots of anti-RC sentiment, much of which Wilson seems to endorse. Nevertheless, Wilson's shrewd take on the late 1960s makes a nice companion to David Lodge's fiction on the Pill, The British Museum is Falling Down. A must for fans of Wilson's Lampitt books, but not the place to begin—much here won't make sense to those unfamiliar with Wilson's grand narrative.
Pub Date: Feb. 1, 1996
ISBN: 0-393-03875-0
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1995
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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