HEARING VOICES

The fourth book in Wilson's Lampitt Papers, an on-going chronicle of 20th-century England and one man's effort to understand a representative life—a life that has become shrouded in intrigue and innuendo. James Petworth Lampitt more or less defined the Edwardian Age as a man of letters, from a distinguished family, who himself was friends with most of the important cultural figures of the time. Julian Ramsay, a successful radio actor, grew up in the shadow of the Lampitts. Orphaned in the war, Julian lived with his uncle Roy, a provincial vicar absolutely obsessed with the Lampitts and their lore. In previous volumes, Julian survives the '40s and '50s as a young man of great promise, one of whose goals is a biography of James ``Jimbo'' Lampitt. Unfortunately, he's beaten to the punch by the genial and oily Raphael Hunter, who claims to have discovered all sorts of sordid secrets about Jimbo. Now, Julian comes closer to the truth about the supposedly telltale Lampitt Papers, at the time in possession of Virgil D. Everett, an American pharmaceuticals tycoon, convinced by Hunter that the papers reveal that Lampitt had sexual peccadilloes much like Everett's. But before Everett takes a long look at his collection, he mysteriously plummets from a Manhattan skyscraper, a death similar to Jimbo's untimely demise. To complicate Julian's researches, he falls in love with his girlfriend's sister, a Catholic beauty married to the hapless Fergus Nolan, a scientist engaged by the Vatican to advise on the birth-control controversy. Julian's unresolved feelings for his dead parents result in a nervous breakdown, but not before venting lots of anti-RC sentiment, much of which Wilson seems to endorse. Nevertheless, Wilson's shrewd take on the late 1960s makes a nice companion to David Lodge's fiction on the Pill, The British Museum is Falling Down. A must for fans of Wilson's Lampitt books, but not the place to begin—much here won't make sense to those unfamiliar with Wilson's grand narrative.