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LOVERBOYS

STORIES

While explicitly probing the politics of otherness, this debut collection of 26 stories from Chicago writer Castillo (So Far from God, 1993, etc.) also concerns itself with the universal patterns of love. The varied permutations of love and lust—gay, straight, or familial—probed in these tales, most of them told from the viewpoints of Latino men and women, reflect a kaleidoscopic view of life in el Norte. Castillo has an unobtrusive tone, believably capturing the voices of her characters, who range from smooth- talking hustlers to exotic fortune-tellers like the turbaned, one- eyed Miss Rose. The longest and most fully realized piece, ``La Miss Rose,'' follows this hectic woman of magic powders and erratic advice after she adopts two women she believes to be in desperate need of her guidance, dragging them from the desert to Chicago for a steamy summer of adventures. Comic and endearing, it and the ``Christmas Story of the Golden Cockroach'' are the most purely enjoyable stories here. In ``Cockroach,'' contemporary Chicagoans attempt to breed (with explosive results) a very special variety of roach to help ease their winter hardships. Though often amusing, the majority of the stories consider the less magical and blithe aspects of life. The title piece, a powerful narrative of lost love, is narrated by a woman watching two boys make out in a bar while she pines for the lover who has abandoned her. In ``Vatolandia,'' the beautiful and independent Sara Santistevan lists, categorizes, then dismisses all of the crazy, mixed-up men in town, choosing to remain alone. And in ``Maria Who Paints and Who Bore Juan Two Children,'' the title character, who has left her husband, watches in despair as he takes her children to a survivalist retreat. Only occasionally missing the mark (there are some failed narrative experiments), Castillo offers a substantial and noteworthy first collection, both honest and witty in its portrayal of love among the exiled. (Author tour)

Pub Date: Aug. 1, 1996

ISBN: 0-393-03959-5

Page Count: 192

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1996

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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