by Ana Cristina Herreros ; translated by Chloe Garcia Roberts ; illustrated by Violeta Lópiz ‧ RELEASE DATE: June 22, 2021
An unusual title useful for college classrooms or as a niche gift.
A traditional folktale is reworked into a feminist parable.
In this translated work from Spain, Herreros tells the story of a “very neat and very hardworking” white mouse who builds herself a house. Seeing that she is unmarried and a homeowner, various animals aggressively pursue her until she finally agrees to marry the kitten, who “seemed the most defenseless.” Her kitten-husband becomes increasingly predatory, emotionally and physically abusing her until, finally, “he ate her all up.” A powerful wordless finale of double-page, full-bleed spreads shows a brown-skinned, black-haired woman in a white dress cleaning up and moving on from the aftermath of a violent disturbance in her apartment. Deceptively simple, midcentury-style illustrations use a muted color palette of red, blue, gray, beige, white, and black to focus on the details of domestic objects before widening the lens to the bigger picture. A QR code allows readers to visit a website where they may read the Balearic original and some contextual notes. Without gaining this familiarity with the source material and its cultural connotations, readers may be confused or frustrated by the book’s metaphor, including unpacking what it means to ask for it, the text’s emphasis on the protagonist’s virtuous cleanliness and tidiness, and the choice to illustrate the mouse as paper-white, which risks perpetuating whiteness as a symbol of purity and goodness.
An unusual title useful for college classrooms or as a niche gift. (Picture book. 16-adult)Pub Date: June 22, 2021
ISBN: 978-1-59270-320-3
Page Count: 108
Publisher: Unruly
Review Posted Online: May 16, 2021
Kirkus Reviews Issue: June 1, 2021
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BOOK REVIEW
by Ana Cristina Herreros ; illustrated by Violeta Lópiz ; translated by Sara Lissa Paulson
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by Gene Luen Yang ; illustrated by Gurihiru ‧ RELEASE DATE: May 12, 2020
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.
Superman confronts racism and learns to accept himself with the help of new friends.
In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)Pub Date: May 12, 2020
ISBN: 978-1-77950-421-0
Page Count: 240
Publisher: DC
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
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by Gene Luen Yang ; illustrated by Kendall Goode & Alison Acton
BOOK REVIEW
by Gene Luen Yang ; illustrated by LeUyen Pham
BOOK REVIEW
by Gene Luen Yang ; illustrated by Les McClaine & Alison Acton
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