The illustrator of Campbell Geeslin’s Elena’s Serenade (2003) again folds humorous and theatrical elements into mystical, surrealist art for an original tale imbued with folkloric overtones. Wearing a tied-on red nose and a long stocking cap, the chubby Night Eater tumbles behind the Moon each night, happily gobbling the starry darkness, chunk by chunk, to make way for the Sun. This tidy arrangement screeches to a halt, however, when Moon makes a comment about Night Eater’s weight, prompting him to go on a crash diet that leaves the entire world permanently dark. A knowing expression on his broad face, the Moon floats over misty scenes populated by the likes of a richly sea-green mermaid, a top-hatted penguin, and children whose expressions of anxiety change to smiles once Night Eater, re-discovering how tasty the night is, resumes his usual rounds. An engaging tale, made even more memorable by Juan’s distinctive style and vision. (Picture book. 7-9)
Pub Date: Oct. 1, 2004
ISBN: 0-439-48891-5
Page Count: 40
Publisher: Levine/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Nolen and Nelson offer a smaller, but no less gifted counterpart to Big Jabe (2000) in this new tall tale. Shortly after being born one stormy night, Rose thanks her parents, picks a name, and gathers lightning into a ball—all of which is only a harbinger of feats to come. Decked out in full cowboy gear and oozing self-confidence from every pore, Rose cuts a diminutive, but heroic figure in Nelson’s big, broad Western scenes. Though she carries a twisted iron rod as dark as her skin and ropes clouds with fencing wire, Rose overcomes her greatest challenge—a pair of rampaging twisters—not with strength, but with a lullaby her parents sang. After turning tornadoes into much-needed rain clouds, Rose rides away, “that mighty, mighty song pressing on the bull’s-eye that was set at the center of her heart.” Throughout, she shows a reflective bent that gives her more dimension than most tall-tale heroes: a doff of the Stetson to her and her creators. (author’s note) (Picture book. 7-9)
Pub Date: Sept. 1, 2003
ISBN: 0-15-216472-3
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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