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THE HOUSE IN THE PINES

The book isn’t compelling or believable as a thriller, but the author has potential in other directions.

Years after a young woman's sudden death in her best friend’s kitchen, a viral video reopens questions left unanswered.

Still struggling to emerge from the wake of the tragedy she witnessed the summer before she left for college, Maya Edwards has built a life for herself with a nice guy named Dan and has vowed to stop using Klonopin to manage anxiety and insomnia. Then “Girl Dies on Camera” appears on social media. In it, a young woman pitches over dead at a table in a diner in Maya’s hometown of Pittsfield, Massachusetts. As Maya sees to her horror, the woman was with Frank Bellamy, an older man/weirdo she dated that terrible senior summer. Frank was present when her best friend, Aubrey West, died the same way as the woman in the video, with no cause ever determined. Maya’s always thought Frank had something to do with it. Now she's sure and takes a trip home to see what she can find out. As a thriller, Reyes’ debut is weak. The suspense is minimal, with no sense that Frank is coming for Maya or that it actually matters whether these crimes are solved. In fact, the main threat to Maya’s well-being is the difficulty of Klonopin withdrawal and the heavy drinking she is doing to get through it, endangering her relationship with Dan, and the most interesting storyline concerns Maya’s mother and father. Brenda Edwards met Jairo Ek Basurto while on a missionary trip in Guatemala; he was murdered at the age of 22 before Brenda even knew she was pregnant. He left behind an uncompleted manuscript which Maya translated around the time she met Frank but then stuffed in a drawer; it turns out to have inspiration for her now. One of the most interesting conversations in the novel is between Maya and her mother, discussing the manuscript and the idea that our souls have a “true home” elsewhere. One would rather read a book about Brenda and Maya and skip Frank and his house in the pines altogether.

The book isn’t compelling or believable as a thriller, but the author has potential in other directions.

Pub Date: Jan. 3, 2023

ISBN: 978-0-593-18671-8

Page Count: 336

Publisher: Dutton

Review Posted Online: Feb. 7, 2023

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THE CRASH

Soapy, suspenseful fun.

A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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WARD D

A superior entry in the night-on-the-nightmare-ward genre.

A medical student is assigned an overnight shift to observe a Long Island hospital’s psychiatric ward and help with emergencies. You’d never guess what happens next.

Amy Brenner isn’t even interested in psychiatry, the one medical specialty she’s never considered for her own career. Nor is she interested any more in Cameron Berger, the classmate who ended their relationship so that he could spend more time studying, and she’s not pleased to learn that he’s switched his rotation with another student so he can spend some of the next 13 hours persuading Amy to rekindle their romance. Predictably, Cam will be the least of Amy’s troubles. Apart from Dr. Richard Beck and nurse Ramona Dutton, everyone else on Ward D is much more dangerous, from elderly Mary Cummings, whose knitting needles aren’t plastic but sharpened steel, to William Schoenfeld, who’s stopped taking the medications that were supposed to silence the voices telling him to kill people, to Damon Sawyer, who’s confined in Seclusion One and can’t possibly escape, unless a power outage neutralizes the locks. Most threatening of all is Jade Carpenter, whose close friendship with Amy ended eight years ago when Amy turned her in for what ended up being only one of a whole series of thrill crimes. McFadden measures out the complications, revelations, and betrayals with such an expert hand that readers anxiously trying to figure out whom Amy can trust as her goal shifts from ticking off a toilsome requirement to surviving the night may well end up wondering whom they can trust themselves. And isn’t provoking that kind of paranoia what medical thrillers are all about?

A superior entry in the night-on-the-nightmare-ward genre.

Pub Date: March 4, 2025

ISBN: 9781464227271

Page Count: 320

Publisher: Poisoned Pen

Review Posted Online: Dec. 13, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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