The book isn’t compelling or believable as a thriller, but the author has potential in other directions.
Years after a young woman's sudden death in her best friend’s kitchen, a viral video reopens questions left unanswered.
Still struggling to emerge from the wake of the tragedy she witnessed the summer before she left for college, Maya Edwards has built a life for herself with a nice guy named Dan and has vowed to stop using Klonopin to manage anxiety and insomnia. Then “Girl Dies on Camera” appears on social media. In it, a young woman pitches over dead at a table in a diner in Maya’s hometown of Pittsfield, Massachusetts. As Maya sees to her horror, the woman was with Frank Bellamy, an older man/weirdo she dated that terrible senior summer. Frank was present when her best friend, Aubrey West, died the same way as the woman in the video, with no cause ever determined. Maya’s always thought Frank had something to do with it. Now she's sure and takes a trip home to see what she can find out. As a thriller, Reyes’ debut is weak. The suspense is minimal, with no sense that Frank is coming for Maya or that it actually matters whether these crimes are solved. In fact, the main threat to Maya’s well-being is the difficulty of Klonopin withdrawal and the heavy drinking she is doing to get through it, endangering her relationship with Dan, and the most interesting storyline concerns Maya’s mother and father. Brenda Edwards met Jairo Ek Basurto while on a missionary trip in Guatemala; he was murdered at the age of 22 before Brenda even knew she was pregnant. He left behind an uncompleted manuscript which Maya translated around the time she met Frank but then stuffed in a drawer; it turns out to have inspiration for her now. One of the most interesting conversations in the novel is between Maya and her mother, discussing the manuscript and the idea that our souls have a “true home” elsewhere. One would rather read a book about Brenda and Maya and skip Frank and his house in the pines altogether.
The book isn’t compelling or believable as a thriller, but the author has potential in other directions.Pub Date: Jan. 3, 2023
ISBN: 978-0-593-18671-8
Page Count: 336
Publisher: Dutton
Review Posted Online: Feb. 7, 2023
SEEN & HEARD
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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