by Ana Sender ; illustrated by Ana Sender ‧ RELEASE DATE: March 5, 2019
Imported from Spain, an intriguing, enchantingly rendered real fairy tale.
When two English girls photograph fairies near their home in Cottingley, Yorkshire, it causes quite a stir in 1919.
Narrator Frances and her cousin Elsie spend most of their free time in the forest, swimming in the stream, climbing trees, napping, and playing with woodland creatures. Hoping adults will “see what we see,” the girls photograph themselves with fairies, enhancing the photos with “imagination, pencils, paper, and scissors.” Surprisingly, many adults take notice, including famous author Arthur Conan Doyle, whose writings “defending the authenticity” of the photos bring people from all over to Cottingley’s woods looking for the fairies. But when no one can see the fairies, Frances and Elsie confess “part of the truth,” about the “scissors and paper,” and the visitors depart, believing all’s a hoax. But is it? Whimsical pencil illustrations, rendered in simple lines, patterns, and a somber palette of grays, blues, and tans, transport the enigmatic text to the fringe of fairyland. Cryptic scenes of the cousins reveal them from arresting perspectives as they frolic in the forest, photographing the mischievous fairies and spying on invading adults. All the humans depicted are white. Based on history, Frances’ first-person narration will leave readers wondering what really happened.
Imported from Spain, an intriguing, enchantingly rendered real fairy tale. (note) (Picture book. 4-8)Pub Date: March 5, 2019
ISBN: 978-0-7358-4338-7
Page Count: 48
Publisher: NorthSouth
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Fran Pintadera ; illustrated by Ana Sender ; translated by Mihaila Petričić
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adapted by Isabel Otter ; illustrated by Ana Sender
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by Fran Pintadera ; illustrated by Ana Sender ; translated by Mihaila Petričić
by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson
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