A tenderly moving debut novel about three generations of Cuban-American women who turn the brief life of a handicapped baby into a celebration of life and love. Veciana-Suarez, a columnist for the Miami Herald, sets her first fiction in the same Miami neighborhood she grew up in: a place of bodegas, Cuban restaurants, and neatly maintained duplexes like the one her characters share. The three protagonists here have not had an easy life: Cuca, the matriarch, is long-widowed; Adela, her daughter, was divorced while still raising her only child; and this child, Maribel, now adult and pregnant, has been abandoned by her drug-running husband. The three women have responded to trouble in different ways. Cuca, who endured numerous pregnancies before giving birth to Adela, is comforted by memories of her life in Cuba, by her talks with the dead, and by her practice of herbal medicine. Adela, a frivolous and pleasure-loving cosmetologist, has numerous lovers, including the husband of her best friend. Maribel, unlike her mother, is an immaculate housekeeper, a serious career woman, and, except for her passion for drug-dealing Eduardo, is ``a stranger to risk and adventure.'' When baby Victor Eduardo is born prematurely, however, all their lives are changed. Victor is born with trisomy 18—an extra chromosome—and Maribel is told he won't live long. In the brief months that follow, she at first fights to keep him alive, then eventually learns to accept what can't be changed as Victor begins to weaken. Adela also joins the fight, discovering some surprising inner resources along the way. And Cuca, keeping watch over the dying baby, is comforted by seeing all she had loved and lost ``waiting for Victor, ready for him.'' A three-hankie debut, luminously written, that is also a loving grace note to family and the human spirit.
Pub Date: July 1, 1997
ISBN: 0-374-12130-3
Page Count: 496
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1997
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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