Important, accessible, needed.
A necessary children’s book about whiteness, white supremacy, and resistance.
Higginbotham’s text includes both dialogue among white adults and a white girl grappling with her growing race consciousness and additional text that references and unpacks the ideas in that dialogue. The connective tissue between these two essential pieces of the book can be weak, but the book as a whole is sure to spark conversations, and its collage art and DIY aesthetic may encourage creative expression. The dialogue begins when the girl overhears snippets of a news story about a police officer (whose white hand is shown holding a gun) killing an unarmed black man. “Oh no, not again,” says her mother, covering her eyes, and the girl asks “What? Mom. What ‘not again’?” Instead of responding, Mom turns off the TV and dodges questions, asserting, “Our family is kind to everyone. We don’t see color.” The girl grows increasingly frustrated and eventually seeks information independently while also asserting that she does see color and knows “that what that police officer did was wrong!” Precisely how she came to this raised consciousness isn’t clear, and no adults seem sympathetic or overtly supportive. Narrative text directed at readers (perhaps also absorbed by the girl as she reads?) highlights white people engaged in anti-racist activism, and it avoids undermining itself by also placing historical and contemporary black activism at the center. Curiously, however, the text excludes people of other races from its discussion.
Important, accessible, needed. (Picture book. 5-12)Pub Date: Sept. 4, 2018
ISBN: 978-1-9483-4000-7
Page Count: 64
Publisher: Dottir Press
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
With young readers diagnosed with anxiety in ever increasing numbers, this book offers a necessary mirror to many.
Young Raina is 9 when she throws up for the first time that she remembers, due to a stomach bug. Even a year later, when she is in fifth grade, she fears getting sick.
Raina begins having regular stomachaches that keep her home from school. She worries about sharing food with her friends and eating certain kinds of foods, afraid of getting sick or food poisoning. Raina’s mother enrolls her in therapy. At first Raina isn’t sure about seeing a therapist, but over time she develops healthy coping mechanisms to deal with her stress and anxiety. Her therapist helps her learn to ground herself and relax, and in turn she teaches her classmates for a school project. Amping up the green, wavy lines to evoke Raina’s nausea, Telgemeier brilliantly produces extremely accurate visual representations of stress and anxiety. Thought bubbles surround Raina in some panels, crowding her with anxious “what if”s, while in others her negative self-talk appears to be literally crushing her. Even as she copes with anxiety disorder and what is eventually diagnosed as mild irritable bowel syndrome, she experiences the typical stresses of school life, going from cheer to panic in the blink of an eye. Raina is white, and her classmates are diverse; one best friend is Korean American.
With young readers diagnosed with anxiety in ever increasing numbers, this book offers a necessary mirror to many. (Graphic memoir. 8-12)Pub Date: Sept. 17, 2019
ISBN: 978-0-545-85251-7
Page Count: 224
Publisher: Graphix/Scholastic
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
A variety show brimming with esoteric and practical information.
Two youngsters embark on a journey peppered with history, trivia, and skits while teaching money lessons.
Meet Mellody and John, the young stars of this currency showcase. Their very first dialogue offers a taste of the intriguing information to come, from the ancient Mayans’ use of cacao beans as payment to the origins of the piggy bank. The book offers a chronologically and geographically broad timeline of the history of money, encompassing the past 3.9 billion years (starting with meteorite crashes that scattered metals—“the very first bank deposit”) and referencing practices across five continents. Readers will find themselves eagerly sharing the facts gleaned here, including the centuries-old origins of terms and expressions still used today. Mellody and John’s fun banter crucially reflects their experiences with money, such as their families’ differing attitudes toward allowances. Both are savers as well as givers, sharing stories about giving to charity. In one especially entertaining section, a cat and a bunny converse in money-related catchphrases that are separately defined at the bottom of each page. Stevens’ watercolors are appropriately realistic and appealing, whether depicting Mellody’s pretend bank or Elizabeth II’s butler ironing a 10-pound note. Messages about money’s use as a means to an end, rather than an end in itself, ensure that readers will think about their own purposes for their savings. Mellody and John are Black.
A variety show brimming with esoteric and practical information. (index) (Nonfiction. 8-12)Pub Date: Oct. 1, 2024
ISBN: 9781536224719
Page Count: 80
Publisher: Candlewick
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
