A wacky ode to the resting bitch face.
When a telemarketer is fired because of her face, she and two colleagues embark on a harebrained quest to take down their boss in this comedic debut.
Vanessa Blair never thought there was anything particularly wrong with her face. Though she made the occasional eye roll or grimace about yet another employer-mandated team-building exercise, Nessa certainly never thought her “resting bitch face” would warrant her getting sacked from a telemarketing gig at Directis. Then Xavier Adams, her smarmy, perpetually barefoot boss, terminated her employment on account of her face and “dark soul,” leaving Nessa with a measly three days’ pay and sketchy severance agreement. When her co-workers Jane Delaney and Trisha Lam have similar experiences with Xavier, the three women begin to ruminate on their time at Directis. What kind of work environment hands out Underperforming Employee of the Week certificates? After a drunken night of bashing Xavier, Nessa finds herself enmeshed in a scheme with Jane and Trisha to destroy their boss and uncover whatever fishy business is keeping Directis afloat. Hijinks ensue with a revenge plot consisting of glitter-bombing the office AC unit, stealing Xavier’s hairless cat, and the formation of the Bridge Brigade, an espionage unit comprising Nessa’s mom and the neighborhood bridge ladies. Even Carter Beckett, the hot tattooed unemployment officer in charge of Nessa’s case, can tell that Directis is keeping secrets. Can Nessa and her friends prove that Directis is more than just a crappy job before Xavier ruins their career chances? Reminiscent of The Office and 9 to 5, Ryan’s debut is a slapstick blend of comedy and heart, with plenty of laugh-out-loud moments and strong female heroines. It’s a wonder that Nessa and her co-workers stayed at Directis as long as they did—Xavier Adams is Michael Scott meets Miranda Priestly, “body slamming the English language” with phrases like “tweam” and forcing employees to play musical chairs dressed as mermaids. Readers will want to see Xavier get his due and will be grateful the women stick around long enough to show him who’s boss.
A wacky ode to the resting bitch face.Pub Date: Jan. 17, 2023
ISBN: 978-1-72825-335-0
Page Count: 256
Publisher: Sourcebooks Casablanca
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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