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CULTURE VS. COPYRIGHT

A DIARY OF A NAIVE PHILOSOPHER

A detailed, if somewhat idealistic, exploration of art, culture and copyright in the marketplace.

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A musing on the philosophy of copyright and the nature of culture, presented mainly as a dialogue among students.

In this philosophical book, the author’s debut, a fictional dialogue blends with essay-style authorial comment to develop the theory of so-called Authoright, a copyright alternative that requires full attribution of a work’s original creator but allows for unlimited reproduction and derivative works. The author acknowledges the book’s ambiguous genre in his introduction: “[I]t is neither a strictly scientific investigation nor a purely fictional, political or autobiographical work.” The dialogue is a conversation between a teacher and five first-grade students, identified as Alpha, Beta, Gamma, Kappa and Delta, who argue about the creative process, the relationship between culture and civilization, appropriate forms of compensation and the nature of art. Periodically, the text returns to standard prose format for a longer essay or a summary on the same topics, written in the author’s voice. Volynets evaluates three different systems for recognizing and compensating cultural productions, concluding that copyright is a destructive monopoly, whereas Authoright is the most effective way of compensating authors while removing limits on creativity—a conclusion reinforced by the fact that the book displays an Authoright, not a copyright, in its frontmatter. Volynets’ book requires readers to be open to thought experiments and theoretical discussions, though these are, for the most part, easy to follow. However, readers may wonder why a dialogue among first-graders is full of comments such as “There are riveting and telling pictures out there, and there are many that are good for the trash can only. How is this possible?” Readers accustomed to the current publishing industry are unlikely to agree with Volynets’ expectation that authors will somehow increase their earnings by selling to multiple publishers under the Authoright system. Likewise, they might not consider the current setup to be a “toxic copyright-driven environment.” Nevertheless, Volynets presents an engaging discussion of a timely topic.

A detailed, if somewhat idealistic, exploration of art, culture and copyright in the marketplace.

Pub Date: Feb. 28, 2014

ISBN: 978-0-9889557-0-7

Page Count: -

Publisher: Total Knowledge

Review Posted Online: Feb. 10, 2014

Kirkus Reviews Issue: April 1, 2014

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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