by Anchee Min ‧ RELEASE DATE: Feb. 3, 2004
Evocative, but underpowered in simple narrative.
Chinese-born Min’s usual meticulous attention to local color (Wild Ginger, 2002, etc.) puts a brake on what should be a riveting tale—the ascent to power of China’s last Empress—in a court where beheadings are as frequent as concubines are numerous.
Min has done her research, and, unfortunately, it shows. The many and vivid details of court life—custom, costume and culture of late 1800s China—undercut her efforts to give a more balanced portrait of a woman who has often been vilified for her role in the decline of Chinese power. Narrated by the Empress, called Orchid because of her beauty, the story begins as Orchid, a member of an aristocratic clan related to the ruling Manchus, accompanies her family to Beijing to bury her recently deceased father. As the family faces poverty and starvation in Beijing, the 17-year-old Orchid learns of an Imperial decree announcing that the young Emperor Hsien Feng is looking for future mates who, to preserve the purity of the Imperial blood, must be Manchu. Miraculously, Orchid is chosen. Her family receives money, and she receives valuable gifts, lives in splendor in the Forbidden City, and has countless servants. But the life is stifling—protocol is all, jealousy commonplace, few can be trusted—and Orchid realizes that the only way to obtain a more secure life is to bed the Emperor and bear him an heir. Which, with some scheming, she manages to do, but China in the early 1860s is beset with problems. The European powers are seizing the country’s territory, selling opium, and insisting on reparations from the Emperor. Meantime, the Imperial court is divided, the Emperor is weak both in judgment and health, and Orchid fears her son may not succeed his father. When the Emperor does die, her five-year-old son, although he’s named heir, is too young to rule, and Orchid must ensure that both of them stay alive as rivals plot and treachery is everywhere.
Evocative, but underpowered in simple narrative.Pub Date: Feb. 3, 2004
ISBN: 0-618-06887-2
Page Count: 352
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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