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THE LAST EMPRESS

The great swatches of historical detail will enlighten readers who generally view history from a Western perspective, but...

In this sequel to her historical novel Empress Orchid (2004), Min tells the story of late-19th-century China’s crumbling empire, from the point of view of the country’s much-vilified final empress.

Two years after the death of Orchid’s husband, she and his “first wife,” Nuharoo, are sharing the upbringing of the new Emperor, Orchid’s seven-year-old son Tung Chih, and acting as ruling co-regents until he grows up. Orchid is overseeing a nation heavily in debt and slowly losing control of its provinces to western nations and Japan. Orchid is selflessly devoted to governing China. She does not allow herself a relationship with the one man she genuinely loves, focusing instead on preparing Tung Chih for his responsibilities with a single-mindedness that undermines the typical mother-son relationship. When Tung Chih, who hates his duties, dies in his 20s of a venereal disease, Orchid adopts her sister’s three-year-old son Guang-hsu and makes him emperor. Although Orchid loves Guang-hsu, her sense of political responsibility again overrides maternal feelings. The sensitive, sweet little boy grows into an indecisive, insecure ruler. Although recognizing the mistakes Guang-hsu and his advisors are making, Orchid often goes along in order to keep his sense of authority intact. By the time of the Boxer Rebellion, she has lost control over her ministers, even while she is being vilified in the Western press as the “Dragon Lady.” She wants reform and feels camaraderie with Robert Hart, who keeps China financially afloat for decades. But most of all, she wants to keep China unified, a goal that proves impossible.

The great swatches of historical detail will enlighten readers who generally view history from a Western perspective, but with Orchid so busy explaining herself, the human story of a woman who denies her instincts never quite emerges.

Pub Date: March 20, 2007

ISBN: 0-618-53146-7

Page Count: 352

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2006

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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