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COMING FOR AMERICA: THE ORIGIN

An eye-opening chronicle of one man’s harrowing journey of self-discovery powered by perseverance, courage, and hope.

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This first installment of Mushenye’s saga chronicles the trials and tribulations of a Luhya boy living in western Kenya and struggling to find his place in the world.

The narrative begins with shockingly immersive sequences that readers will not soon forget, if ever: A superstitious mother wants to cure her son Andayi of stuttering, so she hires a medicine man with alleged magic powers to “trim” his uvula. The surgery is as brutal as it is unsanitary—done with a bamboo stick with razor blades attached and no anesthesia—and the boy is lucky to survive. (“The moment he left me lying still, I started to breathe out slowly, desperately wishing and waiting for the searing pain to ease. It took a protracted interval to subdue the agony before I could even think of moving a muscle.”) The horrific incident pales, however, next to an even more traumatic experience soon thereafter. When Andayi’s older brother, Rono, leaves for a month-long ritualized retreat in a sacred forest that will supposedly make him a man, Andayi tricks his mother and secretly follows the group of boys Rono is with deep into the wilderness. He is eventually caught and forced to undergo the generations-long rite that will make him a man: circumcision. “As soon as I caught sight of the bloody knife at work on [my brother’s] bleeding rocket, the reality of what I was about to experience hit me like a bolt of lightning. My eyes shuddered with instant shock and terror. The rush of adrenaline was so sudden that they nearly popped out. As I struggled to comprehend the grisly torment, my brain sought to reboot and believe what I saw, but it didn’t work.” Surviving the “rocket-sculpting ritual,” as well as a month of revelatory education from adult mentors, makes Andayi a different person when he returns to his village—but he is still deeply flawed, embracing childish attitudes and behaviors like bullying, lying, and blaming others for his own inadequacies. When he flunks out of high school, he is faced with some troubling realizations—without the opportunities provided by a higher education, his future holds little promise. With his mother’s help, he reassesses his life and vows to, somehow, further his education in the land of plenty. (“I had no money and didn’t even know where America was.”)

There’s a genuineness, authenticity, and refreshing candor to Mushenye’s writing. The Kenyan-born novelist’s meticulous description of Luhya culture—its traditions and superstitions—is an undeniable strength, as is his main character’s relentless self-analysis and self-reflection. His story is a profound coming-of-age tale replete with numerous tidbits of wisdom along the way: “Patience is bitter, but the fruit is sweet. If you stretch your imagination beyond what you know or have seen, you will come across new opportunities.” The novel’s chief failing is its lack of a satisfying conclusion. The end of the book is more of a respite, a stopping point that sets up the second installment well but leaves readers hanging.

An eye-opening chronicle of one man’s harrowing journey of self-discovery powered by perseverance, courage, and hope.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Nov. 20, 2024

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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