by André Aciman ‧ RELEASE DATE: Oct. 4, 2011
These essays sing with bracing clarity.
From the acclaimed Egyptian-born author, gorgeous musings on longing and memory fueled by travel.
A virtuoso in literary criticism, memoir and fiction (Eight White Nights, 2010, etc.), Aciman revisits themes that have obsessed him since his youth growing up in Alexandria, when he and his family were waiting for years for visas to migrate to Europe, then the United States. Anticipation—and all the longing it held—proved the ideal, romantic, satisfying state, rather than the actual delivery. For example, longing for America all those years proved much more delicious and lasting than the actual naked reality of living there. In each essay, Aciman elegantly palpates these themes of place and displacement (“dispersion, evasion, ambivalence”). In “Lavender,” the myriad scents of aftershave he will discover over the years mark milestones in his life, but hark back essentially to the first, significant scent of his father’s lavender aftershave. Initiating his young sons into the memories of his youth, in “Intimacy,” involves taking them back to Via Clelia in Rome, where the author 40 years before lived in limbo with his family for three years while waiting for their visas to America. For Aciman, who was poor, speaking Italian self-consciously with a foreign accent, it was a time of shame, yet writing about it helps unlock the “numbness” and encourages “dream-making.” In “Temporizing,” through the personal exploration of his family’s Marrano roots, the author fashions a brilliantly subtle excursus on the craft of a writer such as Proust, who avoids the tyranny of the particular, the day-to-day, by circumventing pain and sorrow at all costs, and passing all experience through “the literary time filter.” Aciman’s own travel essays—on Venice, the Place des Vosges, Tuscany, Barcelona and New York—filter the present through an ever-shifting palette of sensuous memory and impression.
These essays sing with bracing clarity.Pub Date: Oct. 4, 2011
ISBN: 978-0-374-10275-3
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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