Funny but thin.
Alexis' (The Hidden Keys, 2016, etc.) tale of two men's search for a long-missing poet is a surreal adventure through Canada's fraught racial history.
Alfred Homer, a botanist at a private firm in Toronto, is grieving the first anniversary of his parents' deaths in a car accident. Even worse, his partner, Anne, has decided she doesn't want to marry him. As Alfred recovers from the dissolution of three relationships, relief arrives unexpectedly: Professor Morgan Bruno, an eccentric literary scholar and friend of his parents, calls to invite him on a research project. Bruno studies the poet John Skennen, a writer with the "talent of an angel" who mysteriously stopped publishing in the late 1990s. By driving from Toronto to the Ontario town of Feversham and visiting various small towns in between, Bruno hopes to gather details that will help him finish his biography on the lost poet. Alfred figures the trip will be a relaxing vacation. Besides, he's heard tell that oniaten, a rare plant with mysterious qualities, has been sighted on the outskirts of Feversham. The journey turns out to be an uncanny trip through a bizarre alternate-reality version of Canada. In honor of Canada's white pioneers, the town of Nobleton hosts an annual house-burning celebration, during which crowds watch local families struggle to save their homes from the flames. In neighboring Coulson's Hill, an "Indigenous Parade" offers up meager reparations for the harm Canada's First Nations suffered at the hands of those same white pioneers. Meanwhile, the town of Schomberg hosts a black population that speaks almost entirely in sign language—the legacy of a law that banned freed American slaves from speaking aloud within the town's limits. Over the course of Alfred's journey, the book reveals itself to be a critique of Canada's white supremacist underpinnings. "I don't suppose any place reveals itself to you all at once," Alfred reflects at one point. "It comes at you in waves of associative detail." This book feels like a wave of associative detail which Alexis uses to satirize a racial history that is stranger than fiction. As the novel drags on, though, it begins to feel rudderless; the search for Skennen comes to feel like a thin premise on which to hang a string of surrealist gags. By the time Alfred and Bruno approach a mystical fate in Feversham, the reader has lost any investment in them or their journey.
Funny but thin.Pub Date: April 2, 2019
ISBN: 978-1-55245-379-7
Page Count: 224
Publisher: Coach House Books
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
