A wry and reflective literary puzzle about family, love, honor, and adventure.
A smooth criminal is persuaded to investigate a complex riddle left as a strange inheritance to a junkie in Toronto.
Prizewinning Canadian novelist Alexis (Fifteen Dogs, 2015, etc.) offers up a wry and intriguing adventure in this caper novel loosely inspired by Treasure Island. The book’s dashing young protagonist is an old soul at heart—Tancred Palmieri is an unabashed thief we first meet musing over the fate of a purloined diamond as he imbibes in The Green Dolphin, your traditional hive of villainy. At the bar, he’s approached by 50-something drug addict Willow Azarian, who spins a family fable. Her wealthy father, besides leaving millions in inheritance, left Willow and each of her siblings an iconic memento. These included a framed poem, a painting of the Emperor Nero, a bottle of liqueur, a reproduction of a famous Japanese silkscreen, and a model of Frank Lloyd Wright’s Fallingwater, a home in rural Pennsylvania. Willow asks the dashing thief to steal and investigate the mementos to see where they lead. Spoiler alert: Willow dies of her addictions, but Tancred decides to carry out her mission anyway: he may be a thief but his code won’t allow him to break promises. It’s a wonderfully strange premise and one that plays out well on the page. With the help of his “Sancho Panza,” Ollie, and a geriatric taxidermist named Alexander von Wurfel, Palmieri begins stealing and deciphering the clues left by the deceased tycoon. Complications arise when gang lord John Armberg muscles in on Palmieri’s quest, sending an albino thug named Error Colby and his clubfooted sidekick, Sigismund “Freud” Luxemburg, to track his progress. Hot on everyone’s tail is police detective Daniel Mandelshtam, a friend of Palmieri’s since childhood. Even though the book is an old-fashioned quest yarn, Alexis’ immense talent gives it an archetypal patina, glossing characters with shades of honor and subtlety that might have been missed in lesser hands.
A wry and reflective literary puzzle about family, love, honor, and adventure.Pub Date: Oct. 11, 2016
ISBN: 978-1-55245-325-4
Page Count: 240
Publisher: Coach House Books
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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