Next book

REACHING INSIDE

50 ACCLAIMED AUTHORS ON 100 UNFORGETTABLE SHORT STORIES

Well-intentioned but often thin praise pieces.

Famous writers riff on their favorite short stories.

Dubus III asked 50 working writers to write a brief essay praising two short stories. Joyce Carol Oates selects John Updike’s “A&P” and Ralph Ellison’s “Battle Royal,” and Paul Harding spotlights a pair of John Cheever classics: “The Swimmer” and “The Jewels of the Cabots.” While it’s pleasant enough to read seasoned writers celebrating their inspirations, the project has its shortcomings. Because Dubus invited his contemporaries to contribute, the selections tend to gravitate to writers in the New Yorker mold from the second half of the 20th century. Selections are dominated by the likes of Raymond Carver (cited three times), Russell Banks, Jamaica Kincaid, and so on. Many contributors also have their own stories praised by others—Michael Cunningham, Tobias Wolff, Jayne Anne Philips, Stuart Dybek, Ron Carlson, and more—which exacerbates the insular vibe. The better pieces break free from either effusions of praise or workshop analysis and make more adventurous selections or statements. Lois Lowry’s commentary on Carver’s “A Small, Good Thing” is a pathway for a discussion of her own experience with grief; Dagoberto Gilb’s piece on Juan Rulfo and Tomás Rivera is both an appreciation and a critique of the American literary canon; Phil Klay opens his piece on Dostoyevsky’s “The Grand Inquisitor” by recalling a near-death experience; and Cunningham blends an essay on the limits of teaching fiction writing with a lucid study of James Joyce’s “The Dead” and its iconic ending, “one of the greatest paragraphs produced by human hand.” Some of the authors share writing prompts, suggesting this book is intended as a teaching tool; in most cases here, though, it may be enough to take their recommendations on faith and go directly to the stories themselves. Other contributors include T.C. Boyle, Meg Wolitzer, Richard Russo, Lauren Groff, Ann Beattie, and Junot Díaz.

Well-intentioned but often thin praise pieces.

Pub Date: April 25, 2023

ISBN: 9781567927696

Page Count: 320

Publisher: Godine

Review Posted Online: Jan. 30, 2023

Kirkus Reviews Issue: March 1, 2023

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 134


Our Verdict

  • Our Verdict
  • GET IT


  • IndieBound Bestseller

Next book

A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Awards & Accolades

Likes

  • Readers Vote
  • 134


Our Verdict

  • Our Verdict
  • GET IT


  • IndieBound Bestseller

The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

Next book

THAT'S A GREAT QUESTION, I'D LOVE TO TELL YOU

A frank and funny but uneven essay collection about neurodiversity.

An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.

From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.

A frank and funny but uneven essay collection about neurodiversity.

Pub Date: Oct. 28, 2025

ISBN: 9780063381308

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 12, 2025

Kirkus Reviews Issue: Oct. 15, 2025

Categories:
Close Quickview