A welcome gathering in a worthy project to bring Dubus’ work to a new generation of readers.
Third volume in the Godine series reissuing the short stories and novellas of Dubus (1936-1999).
Originally published in 1984 and 1986, the volumes that underlie this collection represent Dubus at perhaps the apex of his career. The stories and novellas gathered here are often topical and even everyday; many of them speak to Dubus’ preoccupations, including racism and the military life. “Deaths at Sea” addresses both, its protagonist an African-American naval officer at sea on a ship where, in the early 1960s, he is still a rarity, recalling incidents of racial collision among sailors at the dawn of the civil rights era. “He’d hang on like they say a snapping turtle does,” writes Dubus of one justice-bent sailor, “and even if you beat him on strength alone, you’d end up wishing you had never seen him, and you’d make certain you didn’t see him again.” The story “Dressed Like Summer Leaves” is a smaller vignette and less interesting except as a near-journalistic account of a barroom squabble between Vietnam veterans: “I ate chow with nightmares,” one says bitterly, with the inevitable plea to the bartender, “Al, will you shut off that shithead so we can drink in peace?” The set piece is effective enough, but Newton Thornburg made more of the same elements in his novel Cutter and Bone a few years earlier. Another constant interest of Dubus’, namely religion, figures in several pieces, including the hitherto uncollected title piece: “A misfit has to live long enough to stop being a misfit,” says the disaffected protagonist, for whom communion isn’t providing the necessary answers. All of Dubus’ characters are searchers—and some find what it is they’re looking for, which isn’t necessarily a good thing.
A welcome gathering in a worthy project to bring Dubus’ work to a new generation of readers.Pub Date: Oct. 18, 2018
ISBN: 978-1-56792-627-9
Page Count: 470
Publisher: Godine
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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