A promising first book.
A debut collection of interrelated essays finds a young writer trying to navigate his way through identity and challenges of race, privilege, sexuality, and culture.
Reflective and creative, Perry has been on a pilgrimage of self-discovery that has led him from prep school and Princeton out East to the freer-spirited bohemia of San Francisco, describing himself in 2003 as “25, black, and frequently straight.” As the collection nears its end, he is “31, almost 32, and my future seemed empty.” After moving to Iowa City for a graduate program in writing, he struggled with his identity and what he wanted amid “the engulfing whiteness of Iowa, a shroud that would surely overwhelm me.” His educational pedigree conferred on him a sense of privilege, of “passage to live among various stratifications of the white world,” which seemed to some to render his racial authenticity suspect. “You’re not a real nigger,” insisted one of his white classmates, though Perry recognizes that race is the categorical qualifier through which others perceive him and through which he perceives himself. He also recognizes that words can hurt and that he has used them to hurt. Chronologically arranged to mark the author’s geographical, psychological, and cultural progression, the essays show that he writes engagingly, feels strongly, thinks obsessively about who he is and what he wants, and doesn’t accomplish anything of lasting significance. He writes about a lot that goes nowhere: sex, relationships, bands, writing, and his graduate degree. Yet throughout his journey of self-discovery, he has been gathering material, experiences that he can mine in writing. The final section features three brief letters addressed to “Emma,” a woman not previously mentioned in the collection. The first suggests that she “might be some sort of light I could follow on my way out of the cave.” At this point, it seems Perry has begun to find his way.
A promising first book.Pub Date: Nov. 12, 2019
ISBN: 978-1-937512-83-5
Page Count: 172
Publisher: Two Dollar Radio
Review Posted Online: Aug. 27, 2019
Kirkus Reviews Issue: Sept. 15, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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