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THE SPARE ROOM

A thriller with plenty of sex but little sense.

A woman’s pandemic-inspired lifestyle change might just become a nightmare.

Kelly Doyle moved to Philadelphia for her fiance’s job, and it’s been miserable. She hasn’t been able to find a job or make new friends, and after a fight, her fiance wants to pump the brakes on the wedding. So when Sabrina Lamont, a school friend she recently reconnected with over Instagram, invites her to stay in her spare room for a break, Kelly makes her way to the D.C. suburbs. Sabrina and her husband, Nathan, live a seemingly blessed life, she a bestselling author of erotic thrillers and he high up at the Department of Defense; their beautiful mansion is also a perfectly private fortress. As Kelly adjusts to her new life in their guest room, she finds herself moving on and falling for both of her hosts. But just as the two open their marriage for her, Kelly discovers that their last partner went missing. Is this a sexy new beginning or a terrible mistake? Bartz is known for her thrillers, and there’s a constant thread of tension as Kelly ignores red flag after red flag in favor of her new and exciting relationship with her hosts. At times it all becomes slightly unbelievable, as Kelly seems to almost willfully wave off the most dire of warnings. Though some plotlines ultimately go nowhere and there are a few too many small twists that will throw you off rather than pull you further in, readers looking for steamy sex scenes with their suspense will have plenty to look forward to. Unfortunately, though, the mystery itself is melodramatic and ultimately does not live up to all the groundwork laid out for it.

A thriller with plenty of sex but little sense.

Pub Date: June 20, 2023

ISBN: 9781984820495

Page Count: 352

Publisher: Ballantine

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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THE HOUSE ACROSS THE LAKE

A weird, wild ride.

Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.

Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.

A weird, wild ride.

Pub Date: June 21, 2022

ISBN: 978-0-593-18319-9

Page Count: 368

Publisher: Dutton

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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