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WE WERE NEVER HERE

A slow-burn thriller that gradually suffocates both the protagonist and the reader—in a good way.

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A backpacking trip gone awry tests the relationship of two best friends.

Emily and Kristen, now almost 30, have been close since college, and as neither are close with their families, they’re more like sisters than friends. Now it's time for their yearly trip to somewhere adventurous and off the beaten path, trips that have become even more important since Kristen moved to Australia for work a few years ago. Last year's trip was a disaster, though, ending when Kristen killed a man who'd been sexually assaulting Emily; now, on the last night of their trip to Chile, Emily finds Kristen standing over the body of the cute guy she'd brought back to their room, saying he'd been rough with her. Taken aback by the similarities to what had happened the year before, Emily helps her friend cover it up and heads back to Wisconsin, unsure how to deal with her newly reignited trauma. Just when she thinks she’s ready to move on with her new boyfriend and therapist, Kristen appears on her doorstep as if nothing has happened. Bartz's latest thriller is full of twists and turns as Emily discovers new things about the friend she thought she knew so well. The dread creeps up slowly on both Emily and the reader as more and more comes to light and the truth slowly reveals itself. Up to the unexpected climax and beyond, Bartz’s writing will keep readers on their toes, questioning everything and looking for hidden meanings in every communication between Emily and Kristen. While the last 10 pages or so may not quite live up to those that precede it, the overall plot is exhilarating.

A slow-burn thriller that gradually suffocates both the protagonist and the reader—in a good way.

Pub Date: July 13, 2021

ISBN: 978-1-984820-46-4

Page Count: 320

Publisher: Ballantine

Review Posted Online: May 4, 2021

Kirkus Reviews Issue: May 15, 2021

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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TO DIE FOR

Fast-moving excitement with a satisfying finish.

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The feds must protect an accused criminal and an orphaned girl.

Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead. 

Fast-moving excitement with a satisfying finish.

Pub Date: Nov. 12, 2024

ISBN: 9781538757901

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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