Oblivious but funny and full of gusto, Ted’s bound for detective work next.
Ted’s back, bursting with enthusiasm, this time throwing himself into the role of painter.
As usual, Ted awakens in his bedroom. In Doctor Ted (2008), he had a sore knee, so, seeing no doctor in his immediate bedroom, he became one; in Firefighter Ted (2009), he smelled burnt toast and found no firefighter at hand and so became one. Here, bored by humdrum walls, “Ted looked everywhere”—fish tank, fridge—before gamely becoming an artist himself. Sporting a tiny green beret and smock-like coat, he creates a brush by tying a curtain tassel to a wooden cooking spoon. “Artist Ted didn’t have any paint, so he made some of that, too”: ketchup, mustard, chocolate syrup, toothpaste. Painting hijinks ensue at home and school. Some humor is of the classic-kid variety (a mural of “a monkey juggling stinky socks”), some more likely to be appreciated by adults (Ted titling a masterpiece Green despite an utter lack of it). Characters are various round-eyed animals, which Lemaitre outlines in casually uneven black strokes and fills in with bright colors. The visual style is loose and easygoing. Ted’s use of a new classmate’s white shirt (that the classmate’s wearing) as blank canvas makes the mischief feel a bit more malicious than when only adults are dismayed, and it feels textually forced, as well.
Oblivious but funny and full of gusto, Ted’s bound for detective work next. (Picture book. 3-7)Pub Date: Feb. 7, 2012
ISBN: 978-1-4169-5374-6
Page Count: 32
Publisher: McElderry
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
Vital messages of self-love for darker-skinned children.
On hot summer nights, Amani’s parents permit her to go outside and play in the apartment courtyard, where the breeze is cool and her friends are waiting.
The children jump rope to the sounds of music as it floats through a neighbor’s window, gaze at stars in the night sky, and play hide-and-seek in the moonlight. It is in the moonlight that Amani and her friends are themselves found by the moon, and it illumines the many shades of their skin, which vary from light tan to deep brown. In a world where darkness often evokes ideas of evil or fear, this book is a celebration of things that are dark and beautiful—like a child’s dark skin and the night in which she plays. The lines “Show everyone else how to embrace the night like you. Teach them how to be a night-owning girl like you” are as much an appeal for her to love and appreciate her dark skin as they are the exhortation for Amani to enjoy the night. There is a sense of security that flows throughout this book. The courtyard is safe and homelike. The moon, like an additional parent, seems to be watching the children from the sky. The charming full-bleed illustrations, done in washes of mostly deep blues and greens, make this a wonderful bedtime story.
Vital messages of self-love for darker-skinned children. (Picture book. 3-7)Pub Date: July 2, 2019
ISBN: 978-0-525-55271-0
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
