by Andrea Camilleri ; translated by Stephen Sartarelli ‧ RELEASE DATE: July 17, 2018
The injustice here has an immediacy; the tale itself feels part of legend.
An Italian family goes from poverty to prosperity and then to infamy in this brisk account of the persecution the Mafia brought to 1920s Italy, based on a true story.
Luigi Sacco is a day laborer in rural Raffadali who, by dint of his brains, hard work, and wish to make a family with the woman he loves, becomes a prosperous landowner with a large family. The Saccos are socialists, so all their advancements are done with an eye toward bettering the lots of those around them. When his son, Giovanni, sees a way to make a profit by replacing the horse-drawn cart that provides the only transportation to the provincial capital with a bus, he goes into partnership with the driver of the cart so as not to put him out of a job. It's not the Saccos' politics that the local Mafia can't abide so much as the money the family is making. Luigi's refusal to accede to extortion results in a decadeslong war, with family members dying, sons having to live as outlaws, and the dissipation of the Saccos' fortune. The local law is of no help, as the Mafia controls the police, judges, and the outcomes of most trials. The story reads like a researched version of a folk legend handed down over generations. The people are not fully developed characters as much as figures standing in for their fates—which is not a criticism but exactly what is to be expected when a story is told in this way. That doesn't keep the reader from longing for a bit more dramatization or, at least, the audiobook, where the right narrator could give this appalling and tragic story the fabulist element it needs.
The injustice here has an immediacy; the tale itself feels part of legend.Pub Date: July 17, 2018
ISBN: 978-1-60945-423-4
Page Count: 144
Publisher: Europa Editions
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
Share your opinion of this book
More by Andrea Camilleri
BOOK REVIEW
by Andrea Camilleri ; translated by Stephen Sartarelli
BOOK REVIEW
BOOK REVIEW
by Andrea Camilleri ; translated by Stephen Sartarelli
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Share your opinion of this book
More About This Book
BOOK TO SCREEN
SEEN & HEARD
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
Share your opinion of this book
More by Donna Tartt
BOOK REVIEW
by Donna Tartt
BOOK REVIEW
by Donna Tartt
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.