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THREE LIGHT-YEARS

An affecting depiction of the urgency of love and the inherent madness that so often comes with it.

Love, time and regret underpin this complicated story of love between two emotionally cautious doctors in modern-day Italy.

This ethereal tale is only the second of Canobbio's (The Natural Disorder of Things, 2006, etc.) eight novels to reach the U.S. It’s a rich story that explores the emotional insecurities of a variety of characters; it’s also linguistically complex and decidedly nonlinear. The novel is sometimes told from the perspective of a man looking back on the midlife crisis of his father, a doctor named Claudio Viberti who worked in a busy metropolitan hospital. More often, the tale is told by an omniscient narrator, though this could be the son imagining what transpired. The lonely doctor becomes infatuated with Cecilia, an emergency room doctor with two children who is vigilant about her emotions. They “date” by having lunch every day, but Cecilia cannot commit, so Viberti becomes increasingly frantic. “Did I race over here because I wanted to see her, and I couldn’t stand not seeing her, and I’m in love with her, or because I didn’t want to say no, and I was afraid I would regret it, and I’m afraid of being alone forever, and for some time a ridiculous idea has been stuck in my head, that it’s too late, that this is my last chance?” he asks himself. The relationship gets more complicated when Viberti has a physical encounter with a woman named Silvia, who happens to be Cecilia’s sister. The intricacies of the story are slowly revealed as we see first Viberti's perspective on a given situation, then Cecilia's and then Silvia's, punctuated by an occasional aside from Viberti's son. It might sound soap operatic, but Canobbio has an otherworldly cadence that carries the story aloft even when the dizzying shifts in point of view threaten to disorient readers.

An affecting depiction of the urgency of love and the inherent madness that so often comes with it.

Pub Date: July 1, 2014

ISBN: 978-0-374-27890-8

Page Count: 368

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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