by Andrea Davis Pinkney ; illustrated by Lou Fancher & Steve Johnson ‧ RELEASE DATE: Nov. 1, 2016
A loving and forceful reminder that Keats’ Peter is our Peter—always.
A love letter to the man who gave readers the beautiful and enduring image of a black boy in a red hooded snowsuit.
Pinkney, an African-American Brooklynite and a child of the 1960s, uses free verse to tell the story of the son of Jewish immigrants from Poland who settled in Brooklyn. Jacob Ezra Katz attended local schools, served in the Army during World War II, and loved to draw. He famously saw a series of photographs in Life magazine of a little black child and saved them for many years until the creation of A Snowy Day, which was awarded the Caldecott Medal in 1963. Katz, who changed his name to Keats to avoid anti-Semitism, went on to feature Peter, that “brown-sugar boy in a blanket of white,” in several more ever popular stories. Fancher and Johnson’s collage art is a homage to Keats’, re-creating images from his books and fashioning scenes of Keats’ own Brooklyn neighborhood. Those who love Peter (and who does not?) will relish the illustrations, particularly that of Keats holding hands with Peter under a snow-dappled tree. More to the point, Pinkney lets readers know what Peter meant and still means as a milestone in inclusive children’s literature. “He brought a world of white / suddenly alive with color.”
A loving and forceful reminder that Keats’ Peter is our Peter—always. (author’s notes, Keats bibliography, resources, photographs) (Picture book/poetry/biography. 6-10)Pub Date: Nov. 1, 2016
ISBN: 978-0-425-28768-2
Page Count: 60
Publisher: Viking
Review Posted Online: Aug. 29, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Chris Barton ; illustrated by Don Tate ‧ RELEASE DATE: April 1, 2015
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by Willie Nelson & Bobbie Nelson with Chris Barton ; illustrated by Kyung Eun Han
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