It’s 1915 and Pap is in New York City, working on the construction of the subway system. He earns good money as a sandhog, but it’s backbreaking, dangerous work. Meanwhile, his family in Pennsylvania is preparing for a lonely Christmas without him. Mim and the children plan the decorations and Mim makes her mythical “belly-hum jam,” a recipe that has been passed along in her family since the slave era. It is so named because it makes your belly sing with the main ingredients of family pride and love. Pap and his sandhog colleagues, Donovan, Gilletti, and Jones cannot expect time off for Christmas because their bosses, nicknamed “Mean and Evil,” will not allow it. But a jar of Mim’s special jam arrives on the day of Christmas Eve and Pap takes it to work to share with his friends. He gives some to his bosses, who are instantly infused with the spirit of Christmas and close the dig site for the holiday. Pap and the sandhogs arrive home in time for a joyous Christmas. The author’s text is a simple evocation of a warm and loving family separated by economic necessity. The dangers and difficulties of Pap’s work are not ignored, but the emphasis is on the love and commitment of all the family members. The story flows seamlessly between rural home-life, the bustling city, and the underground work site. The happy ending is just a bit too sweet, but is entirely in keeping with the spirit of the work. An introduction presents some factual information about the construction of the New York City subway system and the work of the sandhogs, who were mainly African-Americans and immigrants. A recipe for the jam is included. The illustrator’s signature scratchboard art of heavy black outline and strong acrylic colors adds visual clarity to the stark differences between the settings. The farm scenes are bright and full of lively color. In comparison, the underground scenes are in shades of brown, with the figures of the men lit only by work lights. The Pinkneys have again succeeded in presenting a lesser-known aspect of African-American history as a moving, sensitive story with which modern young readers can identify. (Picture book. 4-9)
Pub Date: Oct. 1, 2001
ISBN: 0-15-201918-9
Page Count: 32
Publisher: Gulliver/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
