A surprisingly awkward novel from Pinkney (Bill Pickett, 1996, etc.) about the comings and goings in an African-American family; it captures the pace of life in a small town in upstate New York at the cost of losing readers along the way. As she has for the last six summers, Nell, 12, enjoys staying with her great aunt, Ursa, and 14-year-old son Foley, especially this year, when Foley’s friend Slade Montgomery has blossomed into a handsome, smooth-talking charmer. The idyll goes sour when Slade produces a Raven .25 handgun, persuades Nell to hide it in her old dollhouse, and is shortly thereafter found dead. Just before the funeral, Foley takes the gun and is seen hopping a train, leaving town just as his father, Slade’s father, Nell’s father Wes, and Wes’s father had done. Nell narrates, and Foley obviously suffers a profound shock, but Ursa’s losses and internal conflicts occupy the story’s emotional center. Talky, slow, and off the mark, this tale requires readers to get past the plot contrivances and logical gaps—Ursa opens the dollhouse but doesn’t find the gun because the dog has removed it, and is unaware that Slade is the third teenager in the county shot in the past year—and to penetrate Ursa’s wooden, long-winded utterances for the genuine emotions beneath. Cumulatively, the adults have far more presence than the younger generation, several important events are reported rather than seen, and Nell is largely an observer. (Fiction. 11-14)
Pub Date: April 1, 1998
ISBN: 0-15-201461-6
Page Count: 208
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1998
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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