The Pinkneys (Boycott Blues, 2008, etc.) collaborate on an upbeat yet nuanced picture biography of Sojourner Truth, whose slave name was Isabella. The towering young woman’s “size twelves” metaphorically stomp out injustice: “Freedom meant putting her foot down for what she knew was right…. She gave her slave name the boot, and called herself Sojourner Truth.” Andrea Davis Pinkney’s narrative adopts a confidential, admiring tone, tracing Truth’s years of enslaved toil, her subsequent escape, deep religious faith and narration of her life story to abolitionist Olive Gilbert. Truth’s legendary oratorical skill shines in a dramatic passage quoting her “Ain’t I a Woman?” speech (punctuated by her fists’ repeated “Bam!”). Brian Pinkney’s watercolors, in washes of ochre and slate blue contoured in inky black, utilize a dry-brush technique well suited for depicting Truth’s hardscrabble youth and unyielding commitment to justice. One poignant spread shows young Belle, sold away from her parents at nine; in another, the orator’s life-size face and raised fist magnify her zealous fight for freedom. Imbued with a righteous beauty—like Sojourner herself. (author’s note, bibliography) (Picture book/biography. 5-8)
Pub Date: Nov. 24, 2009
ISBN: 978-0-7868-0767-3
Page Count: 32
Publisher: Disney-Jump at the Sun
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2009
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
This second early biography of Cousteau in a year echoes Jennifer Berne’s Manfish: A Story of Jacques Cousteau (2008), illustrated by Eric Puybaret, in offering visuals that are more fanciful than informational, but also complements it with a focus less on the early life of the explorer and eco-activist than on his later inventions and achievements. In full-bleed scenes that are often segmented and kaleidoscopic, Yaccarino sets his hook-nosed subject amid shoals of Impressionistic fish and other marine images, rendered in multiple layers of thinly applied, imaginatively colored paint. His customarily sharp, geometric lines take on the wavy translucence of undersea shapes with a little bit of help from the airbrush. Along with tracing Cousteau’s undersea career from his first, life-changing, pair of goggles and the later aqualung to his minisub Sea Flea, the author pays tribute to his revolutionary film and TV work, and his later efforts to call attention to the effects of pollution. Cousteau’s enduring fascination with the sea comes through clearly, and can’t help sparking similar feelings in readers. (chronology, source list) (Picture book/biography. 6-8)
Pub Date: March 24, 2009
ISBN: 978-0-375-85573-3
Page Count: 40
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
BOOK REVIEW
BOOK REVIEW
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