A soulful story that captures the magic of possibility, even in difficult times. (author’s note, illustrator’s note,...
A 12-year-old Sudanese girl struggles for survival after a janjaweed attack on her town forces her family to seek safety in an overcrowded refugee camp.
Amira Bright has a dream: to leave her South Darfur farm and attend Gad Primary School, where girls are accepted. Muma, her mother, is a traditionalist about girls’ roles, while Dando, her father, and Old Anwar, a lifelong neighbor, are more supportive. Dando and Amira even have a favorite game called “What Else is Possible?” But when militia attackers suddenly upend her life, Amira is overcome with silent heartache. Relief comes when an aid worker at Kalma refugee camp offers her a yellow pad and a red pencil, eventually restoring her free expression. Telling her story in first-person verse, Pinkney uses deft strokes to create engaging characters through the poetry of their observations and the poignancy of their circumstances. This tale of displacement in a complex, war-torn country is both accessible and fluent, striking just the right tone for middle-grade readers. Evans’ elemental drawings illuminate the spirit and yearnings of Amira, the earnest protagonist.
A soulful story that captures the magic of possibility, even in difficult times. (author’s note, illustrator’s note, glossary) (Verse fiction. 8-12)Pub Date: Sept. 16, 2014
ISBN: 978-0-316-24780-1
Page Count: 336
Publisher: Little, Brown
Review Posted Online: July 21, 2014
Kirkus Reviews Issue: Sept. 1, 2014
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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