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I’M THE ONE WHO GOT AWAY

A MEMOIR

A stunning series of recollections with a feminist slant.

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An essayist pens an ode to womanhood in this debut memoir.

When the young, single mother who lived across the street from Jarrell was murdered, it triggered insecurities about her own upbringing: “It was her aloneness. That old, familiar, just-we-two aloneness I couldn’t bear to see up close again.” The author was raised by her mother, with periodic appearances from her handsome father, a charismatic yet manipulative man they called Nick. Her mother wed Nick at age 16. Jarrell recounts tales about their early relationship, “his jealousy and her bruises,” with a sense of dread. Once the author was born, her mother saved up enough money to leave her father, leading to a series of childhood stories linked by the inherent danger of inhabiting a female body—from Jarrell seeing a woman get harassed by three adolescent boys to Nick voicing his disturbing opinions about “good girls.” Later, in the author’s adult relationships, she took great pains to avoid her mother’s mistakes. Still, she found herself shacking up in Santa Fe, New Mexico, with Wes, a dead-end boyfriend who was not completely unlike Nick, and learning to cope with her husband Brad’s imperfections. What shines in these autobiographical essays is Jarrell’s rendering of her mother, an honest examination of this capable, desirable, and well-traveled woman who was nonetheless unable to resist Nick’s pull. Their mother-daughter relationship is more poignant than any love story (in one stirring vignette, the two crammed into a tiny single bed on vacation because they couldn’t bear to sleep in separate rooms) and similarly fraught with complications. These difficulties included Jarrell’s disgust when her mother repeatedly succumbed to Nick’s charms. The author has published essays in the New York Times and the Huffington Post, and her skill is evident in her deliberate prose. Regarding her father’s infidelity, she simply writes about her parents: “Twice he’d told her to go to the doctor to see if he’d given her gonorrhea.” Though the settings of Jarrell’s stories range from Camden, Maine, to Italy and Los Angeles, the author’s small-town Americana tone is reminiscent of Joyce Carol Oates. The work’s lasting message is that love, like Jarrell’s prose, is both painful and beautiful.

A stunning series of recollections with a feminist slant.

Pub Date: Sept. 5, 2017

ISBN: 978-1-63152-260-4

Page Count: 176

Publisher: She Writes Press

Review Posted Online: Aug. 8, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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