by Andrea L. Rogers ; illustrated by Rebecca Lee Kunz ‧ RELEASE DATE: Oct. 8, 2024
Native life and language are at the center of this beautiful sibling story.
A young Indigenous girl attempts to get along with her infuriating little brother.
Sissy has a mischievous 2-year-old brother called Chooch—an affectionate nickname based on the Cherokee word for boy or son. No matter what the usdi (baby) does, he “just gets away with everything”—from painting streaks through Elisi’s mural to making a mess of Edutsi’s grape dumpling flour. Each transgression is followed by the same refrain: “Chooch helped.” Sissy has less tolerance for her brother’s “assistance,” and the last straw comes when Chooch damages her clay pot. After the fed-up narrator screams at the little boy, her parents yell at her, bringing the beleaguered sister to tears. But Chooch shows up to do what he always does—with his arms around a sobbing Sissy, “Chooch [helps].” Sissy comes to understand that young children learn by watching others and that her patience helps Chooch grow. Author Rogers and illustrator Kunz, both members of the Cherokee Nation, portray Sissy’s older sisterhood with tenderness; illuminating backmatter explains the links between the story and the creators’ own heritage. The touching narrative and its universal lesson are brought to life through Kunz’s powerful images, which make stunning use of collage to illustrate the children’s rich familial and cultural webs. Readers’ hearts will be warmed by Sissy and Chooch’s relationship and by the moving representation of Cherokee traditions.
Native life and language are at the center of this beautiful sibling story. (author’s and illustrator’s notes, instructions for creating a pinch pot, glossary) (Picture book. 4-10)Pub Date: Oct. 8, 2024
ISBN: 9781646144549
Page Count: 48
Publisher: Levine Querido
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson
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