This is groundbreaking, shape- and genre-shifting work from a daring writer; a fresh novel that elevates questions of sexual...
A magical, sexual, and hopeful debut novel about transcending boundaries of gender to pursue emotional connection.
Lawlor (Position Papers, 2016) writes of Paul, a shape-shifter tending bar in a college town in the mid-1990s. Paul can change his gender and appearance at will and does so as he navigates in and out of various pockets of academia and queer culture. Paul is drawn to the act of attraction; he “relied on his ability to attract only the sorts of attention he desired,” and he shifts his form as a way of constantly challenging himself to connect with more people. Paul wants access to as many circles and bodies as possible. Lawlor’s prose is taut, self-aware, and carnal. As Paul tests his “own nascent malleability,” the author explores appearance, attraction, sexuality, and identity. Paul’s youthful exuberance and thirst for hookups are foils to his persistent feelings of isolation. The book is divided into several parts, most notably shifting when a visit to a Michigan Womyn’s Music Festival leads Paul (as a woman) to both a great love, Diane, and a confrontation with his own reasons for seeking sex. “What was sex, but newness?” he asks himself. Eventually Paul has to decide on the level of intimacy he desires; specifically, who he wants to tell about his body. This suggests that intimacy is knowledge of an identity that transcends the corporeal form. Dispersed throughout the story are short chapters with the feel of legends, each fable hinting at issues of gender. In the final third of the novel, Paul moves to the Bay Area, tests the limits of his ability to hold a form, and does his most mature self-examination.
This is groundbreaking, shape- and genre-shifting work from a daring writer; a fresh novel that elevates questions of sexual identity and intimacy.Pub Date: Nov. 1, 2017
ISBN: 978-0-9860869-9-1
Page Count: 388
Publisher: Rescue Press
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
PERSPECTIVES
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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