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THE LONG SONG

The frame is skimpy, and the book’s moral vision can be schematic, but this is a subtly observed, beautifully written,...

The fifth novel by Levy—whose Small Island won Britain’s Orange Prize and was Whitbread Book of the Year—is set in 19th-century Jamaica and covers the last years of slavery and its long, miserable aftermath.

July is fathered by a brutish overseer named Tam Dewar and born to a field slave named Kitty. She’s seized from her mother, renamed “Marguerite,” brought into the plantation house and trained to be the housemaid, chief aide and ultimately confidante to her English mistress, Caroline Mortimer, a plump, overwhelmed young widow. The whites ruthlessly stomp out the “Baptist War” rebellion of 1832—in a harrowing scene, July, cowering beneath her master’s bed alongside the freeman she’s just slept with, witnesses an act of violence—but the end of slavery is nigh, and the institution sputters on for only a few years before abolition. The changes of 1838 seem at first merely nominal, but then a gentle new overseer, the 26-year-old son of English clergy, arrives on Amity Plantation. He promises to persuade the blacks to work for him without using brutality. They’ll plant, cut and haul sugarcane, he thinks, out of enlightened self-interest. Soon the devout optimist is in trouble. First he falls in love with July and tries to resist both the emotion and its attendant lust. Eventually he succumbs, and though he marries Caroline Mortimer for cover, his true spouse is the mulatto he installs in a downstairs bedroom. He treats July with an affection his wife can’t fail to notice or to envy. But as his utopian schemes unravel, so does his relationship with July; racial thinking wins out, and he and Caroline flee for England. Told in retrospect by the elderly July, who’s cajoled and sometimes corrected by her son Thomas, now a wealthy printer, the novel also provides an elegant allegory of storytelling.

The frame is skimpy, and the book’s moral vision can be schematic, but this is a subtly observed, beautifully written, structurally complex novel—an impressive follow-up to Small Island.

Pub Date: May 1, 2010

ISBN: 978-0-374-95086-6

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 25, 2010

Kirkus Reviews Issue: March 15, 2010

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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