Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2020

Next book

GOING BACK

16 JEWISH WOMEN TELL THEIR LIFE STORIES, AND WHY THEY RETURNED TO GERMANY—THE COUNTRY THAT ONCE WANTED TO KILL THEM

A vital, understated contribution to the body of Holocaust literature.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2020

Sixteen Holocaust survivors describe returning to Germany after the war in von Treuenfeld’s work of oral history translated from the German by Siegal-Bergman.

The familiar narrative of the Holocaust is that it marked the end of Jews in Germany. Those who managed to survive settled in America or Britain or Palestine. And yet this view does not represent the whole story: When the war ended, some Jews returned to Germany. After all, it was their home. “How could they bear to come back to this country?” asks von Treuenfeld in her introduction. “To the country where relatives and friends were killed, and…futures were destroyed. The country that also wanted to kill the 16 women who I—in search of an answer—have asked to tell me their life stories.” This book profiles women like Bela Cukierman, whose family fled Germany east through Poland and—by way of the Trans-Siberian Railroad—all the way to Harbin, China, and then Shanghai. After the founding of Israel, nearly their entire community was shipped there, but the German-speaking family couldn’t adjust to the already crowded country and returned to Germany. Renée Brauner’s parents kept her alive by fleeing to Yugoslavia, Italy, and Switzerland, settling in France after the war. Ultimately, they returned to Germany when she was 7. Others spent time in the Americas, and many were at least temporarily in Israel. But all found themselves back in a Germany that was quite different than before—though one that was still far from welcoming. Von Treuenfeld is an invisible presence on the page, and the book is compiled as though each woman is narrating her own story uninterrupted. The personalities and underlying trauma shine through the anecdotes, as here when Brauner describes the prewar residence of her father: “His sister had lived on the floor above. The woman who had lived there since then knew that my aunt was taken away with her two small children. That was on Reclamstrasse. When the Wall fell the building was torn down.” The book is a brilliantly composed account of a very different sort of diaspora and return. Each of the 16 strands is haunting and heartbreaking in its own way. The result is something quite distinct from the usual Holocaust memoir: a book that scrambles the very notion of a homeland and the ties that bind us to one.

A vital, understated contribution to the body of Holocaust literature.

Pub Date: July 9, 2018

ISBN: 978-0-9973052-0-3

Page Count: 317

Publisher: Clevo Books

Review Posted Online: Jan. 29, 2020

Kirkus Reviews Issue: March 15, 2020

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview