by Andrea Wang ; illustrated by Hyewon Yum ‧ RELEASE DATE: May 17, 2022
A warming and gentle celebration of connection.
A group of children find commonality and togetherness through tea.
While a diverse group of grown-ups attend English as a second language class, young ones attend free child care next door. Like the adults, no one speaks English, and “all around the room, children played alone.” However, Luli, who is cued as Chinese, has a plan to get everyone to play together. Today, she’s brought a full tea set. When the table is set and Luli calls out in Chinese, “Chá,” “all around the room, heads popped up.” In a series of panels, children chime back in Russian, Hindi, Turkish, Persian, Arabic, Spanish, German, Swahili, and Portuguese. The word for tea sounds quite similar across languages, and soon enough each child grabs a seat at the table to share a warm cup of tea. Shy smiles lead to full hearts. Yum’s colored-pencil illustrations work alongside Wang’s simple, rhythmic text to highlight the concepts of uniqueness and similarity. Gentle, repeated refrains like “all around the room/table” and measured moments of tea cups passed back and forth create beats of unity and circularity. Languages are presented in their script with romanization/transliteration for pronunciation. Perspectives and layouts vary for a dynamic read and give space to each child and their individuality. Endpapers showcase teacup designs from the 10 countries highlighted; in an author’s note, Wang describes the childhood experience that inspired the book. (This book was reviewed digitally.)
A warming and gentle celebration of connection. (information on the countries depicted) (Picture book. 3-7)Pub Date: May 17, 2022
ISBN: 978-0-8234-4614-8
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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