Otherworldly tales of haunting beauty and a welcome addition to the canon of classic Russian literature in English.
Symbolist masterpiece by the writer whose work Vladimir Nabokov ranked among Russia’s greatest literary achievements.
Boris Nikolaeyvich Bugaev (1880-1934), better known by the pen name that means “Andrew the White,” was an exponent of what translator Stone calls the “short-lived utopianism” of a movement that perhaps naïvely assumed that literature can make a difference in the world. Even so, Bely’s work is marked by a deep pessimism, and if some of it foreshadows magic realism, there is always dark sorcery at work. These four “symphonies,” a cross between prose poem and novella, manifest both idealism and doom. In “Northern Symphony,” a set of short, numbered paragraphs resembling a kind of syllogism, he writes, with foreboding. “1. Big as the mountains, the houses bristled and swaggered like overfed swine. / 2. To the timid pedestrian they winked with their countless windows, turned their blind walls to him in a sign of disdain, or mocked his secret thoughts with columns of smoke.” In the second, “Dramatic,” symphony, he concludes a series with “7. The ascetic’s glowing face smiled, even though it was cold. / 8. But clouds covered the horizon. / 9. The day was extinguished like a sad candle.” It’s an extraordinary poetry, and if the conclusions don’t always follow from the premises, the overall effect suggests the power of language as a tool of enchantment and, at times, incantation. Much of these symphonies are given over to a kind of fairy tale, although a few of them speak to Bely’s interest in politics, as when he imagines a crowd of anarchists and social democrats arguing over who is more leftist: “Over tea they threw verbal bombs,” Bely writes in a mashup of Marx and Lewis Carroll, “expropriating other people’s thoughts.” The sole shortcoming of the book are its too-scanty notes, though the ones that are there speak to telling facets of Bely’s method, such as his naming characters after birds, which would not be apparent to the reader without Russian.
Otherworldly tales of haunting beauty and a welcome addition to the canon of classic Russian literature in English.Pub Date: Nov. 2, 2021
ISBN: 978-0-231-19909-4
Page Count: 512
Publisher: Columbia Univ.
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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