A quiet study of a man struggling to find a serenity to quell his long-entrenched terror.
A Japanese man shattered by senseless, unimaginable violence suffers an ongoing existential crisis, documented in part by the women in his life.
Spanish Argentine novelist Neuman (The Things We Don’t Do, 2014, etc.) is a literary alchemist, so it’s a pleasure to see his most recent work translated so quickly by Caistor and Garcia. The emotional journey here is fundamentally about the ways people break, what holds them together, and who emerges on the other side. To say its protagonist is a survivor is technically accurate but underplays the damage that forms his fundamental character. Yoshie Watanabe narrowly avoided being killed at Hiroshima as a boy but lost his entire family in the blast. Decades later, an elderly and retired Watanabe is rocked again when he’s proximate to the tsunami that devastated the nuclear reactor at Fukushima in 2011. Watanabe’s life story is relayed, appropriately, in fragments, punctuated by narration from the women most important to him. Yoshie refuses to identify as hibakusha, the label attached to survivors of the atomic blasts. But he’s never really whole, either, devoting his life to an undying quest for order, punctuated by an obsessive nature and a heartfelt admiration for the obscure art of kintsugi, an ancient practice that repairs shattered things with gold. Leonard Cohen's song "Anthem"—"There's a crack in everything / that's how the light gets in"—immediately comes to mind, and Neuman himself nods to it. The women are interesting reflections here—there's a fellow student Yoshie has a fevered romance with in Paris; a politically active journalist he has a combative liaison with in New York; an interpreter in Buenos Aires; and a widow with three children in Madrid. The uniformity of the women's cadence and vocabulary tarnishes their individuality a bit, but the story remains a moving meditation on the reverberating waves that shape us and the inescapable impermanence of life.
A quiet study of a man struggling to find a serenity to quell his long-entrenched terror.Pub Date: May 5, 2020
ISBN: 978-0-374-15823-1
Page Count: 368
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
