A worthy and moving but monotonous paean to the resiliency and character of Boston.
In response to the terrorist attack on the 2013 Boston Marathon, editor Blauner (editor: Central Park: An Anthology, 2012, etc.) presents a collection of essays celebrating the City on a Hill.
The lead essay, Kevin Cullen’s “Running Toward the Bombs,” harrowingly recounts the bombing attack that occurred on Patriot’s Day at the conclusion of the Boston Marathon and the manhunt for the perpetrators that followed. Cullen’s account is riveting, horrifying and ultimately inspirational in its depiction of the courage demonstrated by the first responders and ordinary citizens who reacted to the unimaginable trauma with selflessness and life-saving competence. The other writers included offer personal histories and reflections on the city without focusing on the attack (Cullen’s piece obviates the need for further elaboration) in a series of essays that range from wistful to (gently) sardonic. The contributors note Boston’s provincialism, distinctive dialect, confounding topography, and heritage as a center of American history, intellect and sport. Though nobly intended, the collection becomes repetitive in its litanies of fondly remembered landmarks and observations of the city’s distinctive character; the effect is somewhat like being subjected to the protracted narration of an unusually eloquent acquaintance’s vacation slides. The quality of the writing is uniformly high, and there are moments of welcome humor and surprise, but the standout pieces (excluding the heart-rending report of the attack) are reprints of George Plimpton’s “Medora Goes to the Game,” a droll and affecting account of the author and his young daughter attending the Harvard/Yale football game, and John Updike’s “Hub Fans Bid Kid Adieu,” the much-anthologized tribute to Red Sox great Ted Williams. Unencumbered by elegy, these famous essays more fully engage and entertain as well as pay deserved tribute. Other contributors include Susan Orlean, Bud Collins, Dennis Lehane, Leigh Montville and Pico Iyer.
A worthy and moving but monotonous paean to the resiliency and character of Boston.Pub Date: Oct. 15, 2013
ISBN: 978-0544263802
Page Count: 368
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: Aug. 30, 2013
Kirkus Reviews Issue: Sept. 15, 2013
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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