A smug, disappointing collection.
A collection of essays—ranging from brief polemic to biography to short fiction—on the Bible.
Of those authors chosen for this collection by Blauner (editor: Our Boston: Writers Celebrate the City They Love, 2013, etc.), few are overt persons of faith. Many of the essays include the contributors’ stories of falling away from the faith traditions of their childhoods, be it Judaism, Catholicism, evangelical Protestantism, etc. In his introduction, Adam Gopnik posits immediately that “[the Bible’s] stories have long ago fallen away; we know that almost nothing that happens in it actually happened, and that its miracles, large and small, are of the same kind and credibility as all other miracles that crowd the world’s great granary of superstition.” Though not all the writers are as thoroughly dismissive of the Bible as sacred Scripture, most are. Robert Coover, in fact, ends the collection with a genuinely caustic view of the Bible as “unbearable diatribe exhibiting an appalling and infantile view of the universe.” Though a few of the essays are genuinely worthwhile and even touching—e.g., Lois Lowry’s reflection on family—most are casual and shallow. The goal of the book is vague. On the surface, the collection draws on secularist writers to explore what effect earlier exposure to the Bible has had upon them. However, too often the writers slide into irrelevant territory. In some cases, the job of writing such a short essay seems overly labored and clumsy, such as when Owen King stumbles around with such disparate topics as Dr. Seuss, the George W. Bush–John Kerry presidential debates, and Pope Francis when trying to discuss a single verse in Luke. Though the collection will not interest readers of faith, it may appeal to a subset of intellectuals who, like the contributors, have stepped away from belief in Scripture and yet still hold some fascination with it. Other contributors include Pico Iyer, Edwidge Danticat, Ian Frazier, Rick Moody, and Kathleen Norris.
A smug, disappointing collection.Pub Date: Nov. 10, 2015
ISBN: 978-1-4767-8996-5
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 20, 2015
Kirkus Reviews Issue: Oct. 1, 2015
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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