by Andrew Clements ‧ RELEASE DATE: Nov. 1, 2002
In the third episode of a series that might as well be dubbed “Jake Drake: Problem Solver,” Clements’s fourth-grade narrator again looks back at third grade, in particular an uncomfortable week when he became the subject of a little too much teacherly praise. All Jake does is help his math teacher open a computer program, rinse some brushes in Art, sit quietly on the bus and such—but suddenly he’s golden, getting all-too-public head pats even from fearsome Principal Karp and Mr. Collins, the gym teacher. Worse yet, Jake’s desperate attempts to regain his previous anonymity with rude behavior backfire, making him look even more like a brownnose to his classmates. Fans of Hurwitz’s Aldo or Kline’s Horrible Harry will feel right at home with this easy middle reader, and if the plotting is more labored than in Clements’s stand-alone tales (Frindle, 1996; The Landry News, 1999; etc), his young protagonist shows a winning mix of pride and common sense—plus the courage to share his discomfiture at last with Mrs. Karp. She cleverly gets him off the hook after explaining that the fault lies not with him, but with her and the other grown-ups for not realizing the effects of their preferential treatment. Children aren’t the only readers who might learn something from this. (Fiction. 8-10)
Pub Date: Nov. 1, 2002
ISBN: 0-689-83919-7
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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adapted by Eric A. Kimmel & illustrated by Pep Montserrat ‧ RELEASE DATE: Feb. 5, 2008
In these 12 retellings, the Immortals come across as unusually benign. Dionysius at first suggests to King Midas that he give his excess wealth to the poor, for instance; the troubles that Pandora releases are originally imprisoned in the box by Prometheus’s brother Epimetheus out of compassion for humankind; and it’s Persephone herself who begs for a compromise that will allow her to stay with her beloved Hades for six months out of every year. Kimmel relates each tale in easy, natural-sounding language. And even though his Andromeda looks more Celtic than Ethiopian (as the oldest versions of the story have it), Montserrat’s figures combine appropriate monumentality with an appealing expressiveness. The stories are all familiar and available in more comprehensive collections, but the colorful illustrations and spacious page design make this a good choice for shared reading. (foreword) (Nonfiction. 8-10)
Pub Date: Feb. 5, 2008
ISBN: 978-1-4169-1534-8
Page Count: 112
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2007
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