A solid, strong first effort from prize-winning Scottish-born writer Cowan, who peers closely into the struggles of a sensitive boy—oppressed by the bitterness and decay endemic to the harsh world of English estate housing in a once-thriving industrial town- -as he tries to hold on to those things most precious to him. Fifteen-year-old Danny, bright but already battered by a less- than-loving home life, suffers a new blow when his grandmother dies. Grandad, long crippled by the loss of a leg, is moved immediately into a nursing home, leaving behind the isolated bungalow where he and his wife spent much of their lives, the extensive garden plot she tended with such care, and a pig, the last of many raised and slaughtered through the years, that Gran had decided to keep as a pet. Out of school for the summer, Danny resolves to take up where Gran left off and all but moves into the bungalow, although he soon finds the gardening beyond his ability and inclination. Meanwhile, his close friendship with a classmate, Surinder, blooms into Danny's first love, with the bungalow providing a refuge from the estate's many racists—his own parents and deadbeat brother included—who would react violently to his taking up with an Indian girl. Only Grandad, whom Danny visits daily in the home, seems to accept Surinder as Danny's special friend, but his health is fading fast without his wife's ministrations. In fact, the idyll that Danny believes he's found in his new circumstances proves to be more illusion than substance: Surinder soon indicates that she has ambitions beyond being a pig farmer, the bungalow is sold, and the pig, in spite of Danny's care, is also dying. Adolescent dreams at odds with postindustrial reality are evoked poignantly and honestly here—in a small but excellent tale of contemporary English society.
Pub Date: Oct. 1, 1996
ISBN: 0-15-100218-5
Page Count: 224
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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