A solid, strong first effort from prize-winning Scottish-born writer Cowan, who peers closely into the struggles of a sensitive boy—oppressed by the bitterness and decay endemic to the harsh world of English estate housing in a once-thriving industrial town- -as he tries to hold on to those things most precious to him. Fifteen-year-old Danny, bright but already battered by a less- than-loving home life, suffers a new blow when his grandmother dies. Grandad, long crippled by the loss of a leg, is moved immediately into a nursing home, leaving behind the isolated bungalow where he and his wife spent much of their lives, the extensive garden plot she tended with such care, and a pig, the last of many raised and slaughtered through the years, that Gran had decided to keep as a pet. Out of school for the summer, Danny resolves to take up where Gran left off and all but moves into the bungalow, although he soon finds the gardening beyond his ability and inclination. Meanwhile, his close friendship with a classmate, Surinder, blooms into Danny's first love, with the bungalow providing a refuge from the estate's many racists—his own parents and deadbeat brother included—who would react violently to his taking up with an Indian girl. Only Grandad, whom Danny visits daily in the home, seems to accept Surinder as Danny's special friend, but his health is fading fast without his wife's ministrations. In fact, the idyll that Danny believes he's found in his new circumstances proves to be more illusion than substance: Surinder soon indicates that she has ambitions beyond being a pig farmer, the bungalow is sold, and the pig, in spite of Danny's care, is also dying. Adolescent dreams at odds with postindustrial reality are evoked poignantly and honestly here—in a small but excellent tale of contemporary English society.
Pub Date: Oct. 1, 1996
ISBN: 0-15-100218-5
Page Count: 224
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
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