An entertaining, eye-opening investigation.
Behind the scenes of the creation of a single dish at a fine dining restaurant.
Friedman, producer and host of the podcast Andrew Talks to Chefs and author of Chefs, Drugs and Rock & Roll and Knives at Dawn, offers a lively look into what goes into the production of one meal, on one day, in one restaurant. He chose Chicago’s Wherewithall, a sleek 50-seat venue noted for its weekly seven-course tasting menu, focusing on the meat course, which, during his visit in July 2021, was a dry-aged strip loin with tomato and sorrel. At Wherewithall, he observes, “the food, like the food at most restaurants, is the creative, technical, and physical work product” not only of the owners and chef de cuisine, “but also of their sous chef and cooks, dishwashing team, and servers. From beyond the restaurant, it contains the labor of farmers, farmhands, producers, delivery people, packers, and too many others to list in full.” Besides spending a week on site, examining every facet of menu planning, cooking, and serving, Friedman scoured the Midwest, visiting the area farms whose products shape each week’s menu. Wherewithall serves only seasonal produce from suppliers such as Nichols Farm & Orchard, which grew the tomatoes; the Slagel Family Farm, which furnished the beef; Butternut Sustainable Farm, which supplied the sorrel; and the 29-acre Smits Farm, a purveyor of fresh herbs and other items. The author rode along with the delivery company that transported produce from farm to restaurant kitchen, and he spoke to the documented workers at the vineyard from which the restaurant buys its wines. Friedman profiles many of the hardworking staff who make the restaurant’s success possible, including owners Beverly Kim and Johnny Clark, who came from vastly different restaurant experiences; chef de cuisine Tayler Ploshehanski, who deftly manages the complexities of the kitchen; server Nooshâ Elami, who has developed an intuitive sense of what patrons know about food; and dishwasher Blanca Vasquez, “one of the unseen heroes” of the restaurant.
An entertaining, eye-opening investigation.Pub Date: Oct. 17, 2023
ISBN: 9780063135970
Page Count: 288
Publisher: Mariner Books
Review Posted Online: July 11, 2023
Kirkus Reviews Issue: Aug. 1, 2023
PERSPECTIVES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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