A warm and authentic chronicle of living and fishing in Maine.
A heartfelt, rustic memoir by a seafaring New Englander.
Gove’s posthumous memoir, which he was working on until his death in 2020, presents a homespun account of Maine fishing life. The author was born in 1930 and raised on Eagle Island by his grandparents Laura and Earl; his parents were largely absent. He attended a local one-room schoolhouse, but he got his real education from his grandfather, who’s in the fishing business. His earliest games were lessons in that trade, such as setting up small lobster trap buoys with friends and pulling them back “to get the periwinkles.” By the age of 7, Gove had his lobstering license, and by the age of 10, he was hunting ducks. In high school, he met his lifelong love, Rose, and after they married, they moved to Stonington, where they raised two daughters. Gove continued to work as a lobsterman until his retirement at the age of 89. Gove comments on shifts in the industry—grumbling, for instance, about the fact that standard cotton twine was replaced with “nylon stuff” and about how he dislikes vacationing “summer people.” The author also tells of learning to fly a plane in middle age, going on air- and water-rescue missions, and winning boat races in “Maine’s version of NASCAR” in his beloved Uncle’s U.F.O. vessel when he was well into his 80s. The stories in this memoir were recorded by Gove and then transcribed, organized, and edited by several others, but they feel true to their original oral format. For example, it intriguingly retains the author’s Downeast accent, with wise aphorisms such as “The longer I go the less I know,” and “If it weren’t for good friends and being a good friend, this world would not be a good place to live in.” That said, the looser style can be difficult to follow at times; the text tends to ramble and digress, dropping in unfamiliar names and terms. That said, there’s a sense of immediacy that’s sure to make readers feel as if they were right in the room with Gove as he told his tales.
A warm and authentic chronicle of living and fishing in Maine.Pub Date: Nov. 16, 2020
ISBN: 978-0-941238-31-1
Page Count: 194
Publisher: Penobscot Books
Review Posted Online: Jan. 28, 2021
Kirkus Reviews Issue: April 1, 2021
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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