A genuine encouragement that speaks to the role juries play in our constitutional structure.
An investigation and celebration of what we so often rue: jury duty.
Former public defender Ferguson (Law/Univ. of the District of Columbia) takes jury duty seriously but not in an admonitory, finger-wagging sense. He wants readers to appreciate the brilliance of the jury process as civic engagement, an act of public virtue, due process and accountability. Ferguson witnesses the process daily, and he serves it forth here to readers with enthusiasm: “I watch as constitutional ideals such as civic participation, deliberation, fairness, equality, liberty, accountability, freedom of conscience, and the common good come alive through the practice of ordinary citizens.” In each chapter, the author takes a constitutionally grounded principal and shows how it applies to jury duty. Jury participation teaches the skills required for democratic self-governance, it acquaints jurors with the rule of law and it promotes the equality of ideas. Ferguson is an artful booster for community involvement and social connection and an advocate for the ability to challenge any perceived infringement of rights; a copy of the Constitution is always ready at his hand. This is a book that makes you feel good about a system that requires this type of participation, in which we must reflect with clarity on the guilt or innocence of an individual.
A genuine encouragement that speaks to the role juries play in our constitutional structure.Pub Date: Jan. 1, 2013
ISBN: 978-0-8147-2903-8
Page Count: 224
Publisher: New York Univ.
Review Posted Online: Sept. 29, 2012
Kirkus Reviews Issue: Oct. 15, 2012
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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